|
No. |
Title |
Length |
| 1. |
Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio (Wiener Philharmoniker, Carl Schuricht) |
9:23 |
| 2. |
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto (Wiener Philharmoniker, Carl Schuricht) |
6:24 |
| 3. |
Symphony No. 1 in C Major, Op. 21: III. Menuetto: Allegro molto e vivace (Wiener Philharmoniker, Carl Schuricht) |
3:54 |
| 4. |
Symphony No. 1 in C Major, Op. 21: IV. Finale: Adagio - Allegro molto e vivace (Wiener Philharmoniker, Carl Schuricht) |
6:14 |
| 5. |
The Creatures of Prometheus, Op. 43: Overture: Adagio - Allegro molto con brio (The London Philharmonic Orchestra, Eduard Van Beinum) |
5:19 |
| 6. |
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": I. Allegro con brio (Kurt Masur, Gewandhausorchester Leipzig) |
15:34 |
| 7. |
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": II. Marcia funebre: Adagio assai (Kurt Masur, Gewandhausorchester Leipzig) |
16:09 |
| 8. |
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": III. Scherzo: Allegro vivace (Kurt Masur, Gewandhausorchester Leipzig) |
6:01 |
| 9. |
Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": IV. Finale: Allegro molto (Kurt Masur, Gewandhausorchester Leipzig) |
12:11 |
| 10. |
Romance No. 2 in F Major for Violin and Orchestra, Op. 50 (Thomas Zehetmair, Frans Brüggen / Frans Bruggen, Orchestra Of The 18th Century) |
7:39 |
| 11. |
Symphony No. 5 in C Minor, Op. 67, "Fate": I. Allegro con brio (Bernard Haitink, Royal Concertgebouw Orchestra) |
7:07 |
| 12. |
Symphony No. 5 in C Minor, Op. 67, "Fate": II. Andante con moto (Bernard Haitink, Royal Concertgebouw Orchestra) |
9:58 |
| 13. |
Symphony No. 5 in C Minor, Op. 67, "Fate": III. Allegro (Bernard Haitink, Royal Concertgebouw Orchestra) |
5:08 |
| 14. |
Symphony No. 5 in C Minor, Op. 67, "Fate": IV. Allegro (Bernard Haitink, Royal Concertgebouw Orchestra) |
8:57 |
| 15. |
Fidelio, Op. 72: Overture (Chicago Symphony Orchestra, Georg Solti) |
6:54 |
| 16. |
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of happy feelings on arrival in the country): Allegro ma non troppo (London Symphony Orchestra And Chorus, Antal Dorati) |
11:30 |
| 17. |
Symphony No. 6 in F Major, Op. 68, "Pastoral": II. Szene am Bach (By the brook): Andante molto mosso (London Symphony Orchestra And Chorus, Antal Dorati) |
11:32 |
| 18. |
Symphony No. 6 in F Major, Op. 68, "Pastoral": III. Lustiges Zusammensein der Landleute (Joyous gathering of country folk): Allegro (attacca) (London Symphony Orchestra And Chorus, Antal Dorati) |
4:58 |
| 19. |
Symphony No. 6 in F Major, Op. 68, "Pastoral": IV. Gewitter, Sturm (Thunderstorm, Storm): Allegro (attacca) (London Symphony Orchestra And Chorus, Antal Dorati) |
3:41 |
| 20. |
Symphony No. 6 in F Major, Op. 68, "Pastoral": V. Hirtengesang, Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; happy and thankful feelings after the storm): Allegretto (London Symphony Orchestra And Chorus, Antal Dorati) |
9:39 |
| 21. |
Egmont, Op. 84: Overture in F Minor (New Philharmonia Orchestra, Leopold Stokowski) |
8:51 |
| 22. |
Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace (Academy Of St. Martin-In-The-Fields / Sir Neville Marriner) |
14:58 |
| 23. |
Symphony No. 7 in A Major, Op. 92: II. Allegretto (Academy Of St. Martin-In-The-Fields / Sir Neville Marriner) |
9:30 |
| 24. |
Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto (Academy Of St. Martin-In-The-Fields / Sir Neville Marriner) |
9:26 |
| 25. |
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio (Academy Of St. Martin-In-The-Fields / Sir Neville Marriner) |
7:06 |
