The Airing of Grievances (Bonus Track Version)
Download links and information about The Airing of Grievances (Bonus Track Version) by Titus Andronicus. This album was released in 2008 and it belongs to Indie Rock, Alternative genres. It contains 11 tracks with total duration of 48:56 minutes.
Artist: | Titus Andronicus |
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Release date: | 2008 |
Genre: | Indie Rock, Alternative |
Tracks: | 11 |
Duration: | 48:56 |
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Tracks
[Edit]No. | Title | Length |
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1. | Fear and Loathing In Mahwah, NJ | 5:55 |
2. | My Time Outside the Womb | 2:54 |
3. | Joset of Nazareth’s Blues | 2:29 |
4. | Arms Against Atrophy | 5:15 |
5. | Upon Viewing Brueghel’s “Landscape With the Fall of Icarus" | 4:24 |
6. | Titus Andronicus | 3:12 |
7. | No Future | 7:40 |
8. | No Future Part Two: The Days After No Future | 6:52 |
9. | Albert Camus | 6:20 |
10. | Every Time I See the Light, Pt. 1 (Exclusive Bonus Track) | 2:41 |
11. | Every Time I See the Light, Pt. 2 (Exclusive Bonus Track) | 1:14 |
Details
[Edit]The first full-length from New Jersey’s Titus Andronicus is a like a good old-fashioned bar brawl: full of swagger and bravado, laced with youthful passion and untamed hubris ... a mad dervish of punches thrown, not all perfectly landed. Referencing numerous cultural icons (Shakespeare, Seinfeld, Camus and Brueghel being the most overt), this five-piece juggernaut rolls up its collective sleeve to wield its high-minded quill-pen, scrawling out something like poetic fisticuffs (such as, “no god of mine would put light in such unrighteous eyes!”), delivered with caterwauling guitars and vocalist Patrick Stickles’ rasping outrage. A streetwise, blue-collar punk sensibility drives Stickles’ rants on the futility of love/life, as well as his musings on murderous nail clippers (in mother’s hands!) and “gorgeous” hyphens in a vixen’s name. Don’t let the lo-fi, locker room mix deter you; you’ll find tracks like “Arms Against Atrophy” and “Titus Andronicus” are as explosive and bombastic as the band’s namesake (Titus Andronicus is an early Shakespeare work of gory excess), even without recording-studio perfection. Deservedly named one of Pitchfork’s 50 Best Albums of 2008.