01-06 June
Download links and information about 01-06 June by Tomat. This album was released in 2012 and it belongs to Electronica, Rock, Alternative genres. It contains 11 tracks with total duration of 01:09:17 minutes.
Artist: | Tomat |
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Release date: | 2012 |
Genre: | Electronica, Rock, Alternative |
Tracks: | 11 |
Duration: | 01:09:17 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | CE-2 | 4:31 |
2. | Radio | 6:59 |
3. | Donaticomet | 9:26 |
4. | Soyuz | 3:43 |
5. | Jupiterasteroid | 9:46 |
6. | Montgolfier | 6:20 |
7. | Lovelyplace | 3:52 |
8. | Venus | 7:13 |
9. | 1984 | 5:15 |
10. | Soyuz11 | 4:37 |
11. | Titan | 7:35 |
Details
[Edit]The solo project from Davide Tomat of Italian band Niagara falls somewhere between dreamy ambient pop formalism and something else entirely — every time it seems like one can get an exact handle on either a song or the album as a whole, Tomat takes it a little somewhere else. The space themes in the titles play out sonically throughout, partially in a sense of bringing in a bit of space age pop giddiness as well; the kind of thing that '90s bands seemed to look back to even if it was never quite there to start with. "Radio" is a good example of this, with sweet technology buzzing and wistful space age-gone-strange constructions, part lounge-pop gamelan fantasia and part Sigur Rós. "Soyuz" is shorter and feels like distant signals and brooding, looming beauty, the nearest thing here to full-on electrogaze as such, and beautifully accomplished even as random noises spit in and out of the mix. Meanwhile, "Jupiter Asteroids" feels like being in space, with a lot of the background fuzz removed to allow gentle guitar loops, distant rumbles, and soft voices to interplay and float. But a song like the opening "CE-2" starts with heavenly vocals, electro-blips, drone fuzz, and echo, a post-everything pop release shifting into a sorta riffy blizzard and calm melody, a sort of mash-up where it's unclear where the base is meant to be. "Lovely Place" acts as a slightly more straightforward ballad-zone of sorts, very end-of-'70s space rock, while "Venus" is a strikingly great blissout of its own serene keyboard-led sort, rich and romantic in feel (how appropriate after all). "Montgolfier" pumps up everything with pulsing keyboards and twinkles and background shimmer, like a very sprightly and friendly animation soundtrack in feel. It's all just unusual and enjoyable enough.