Return of the Bastard
Download links and information about Return of the Bastard by Tommy Guerrero. This album was released in 2008 and it belongs to Rock, Indie Rock, Progressive Rock, Alternative genres. It contains 15 tracks with total duration of 39:06 minutes.
Artist: | Tommy Guerrero |
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Release date: | 2008 |
Genre: | Rock, Indie Rock, Progressive Rock, Alternative |
Tracks: | 15 |
Duration: | 39:06 |
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Tracks
[Edit]No. | Title | Length |
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1. | And the Folklore Continues | 2:24 |
2. | La Califas Perdido | 2:41 |
3. | I Would Go With You | 2:45 |
4. | No Time for Time | 1:58 |
5. | Bloodinthemud | 3:28 |
6. | Calling for Ya! (featuring Curumin) | 2:11 |
7. | Zapata's Boots | 2:44 |
8. | Mosaic Man | 1:39 |
9. | What Have I Been Doing Since I Was Gone? | 2:10 |
10. | Paper Switchblade | 3:14 |
11. | Never Forget to Remember | 2:42 |
12. | Run With the Hunted | 3:19 |
13. | New Terrain | 2:32 |
14. | 40 Summers | 2:43 |
15. | The Simple Man | 2:36 |
Details
[Edit]After branching out (only slightly) for 2006's From the Soil to the Soul, Tommy Guerrero returned to his usual repertoire — a one-man-band setup and breezy instrumental soul/rock — for Return of the Bastard. Granted, From the Soil to the Soul was hardly a radical departure; it included only a few deeper grooves and one high-profile feature (for Lyrics Born). But it's still nice to have Guerrero back creating his own record, seemingly unencumbered even by the few suggestions that such an artist-oriented label like Quannum may have come up with. Although instrumental music this light and laid-back risks being called lazy, it's clear Guerrero isn't just an aimless street-corner musician. His guitar solos, obtuse yet warm, are always interesting, whether smooth and acoustic or raggedly electric, and at several points he adds his own kalimba or Fredo Ortiz on conga to vary the sound. Material like this is always going to be considered primarily as the background for a visual narrative, but like great instrumental rock from Link Wray to Don Caballero, it creates its own narrative.