Extended Plays 2010-2011
Download links and information about Extended Plays 2010-2011 by Tracey Thorn. This album was released in 2011 and it belongs to Dancefloor, Dance Pop, Alternative genres. It contains 15 tracks with total duration of 01:39:10 minutes.
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| Artist: | Tracey Thorn |
| Release date: | 2011 |
| Genre: | Dancefloor, Dance Pop, Alternative |
| Tracks: | 15 |
| Duration: | 01:39:10 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Amazon $8.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Taxi Cab | 3:55 |
| 2. | Why Does the Wind? (Ewan Pearson Radio Edit) | 3:41 |
| 3. | Why Does the Wind? (Morgan Geist Remix) | 5:55 |
| 4. | Why Does the Wind? (Michel Cleis Remix) | 9:40 |
| 5. | Why Does the Wind? (Andre Lodemann Remix) | 8:08 |
| 6. | Why Does the Wind? (Andre Lodemann Dub) | 8:08 |
| 7. | Swimming (Visionquest Remix) | 9:13 |
| 8. | Kentish Town (Walls Remix) | 5:26 |
| 9. | Late in the Afternoon (Blue Daisy Remix) | 5:18 |
| 10. | You Are a Lover (Clock Opera Remix) | 5:23 |
| 11. | Sister Winter | 4:29 |
| 12. | Night Time | 3:45 |
| 13. | Swimming (Visionquest Remix & Ewan Pearson Re-Edit) | 9:04 |
| 14. | Swimming (Charles Webster Remix) | 9:05 |
| 15. | Swimming (Charles Webster Dub) | 8:00 |
Details
[Edit]These songs and remixes come from the EPs that Tracey Thorn released over a 12-month span. The milky-voiced chanteuse from Everything but the Girl opens with an arresting cover of Vampire Weekend’s “Taxi Cab”; her deep inflections hover above rudimentary rhythm sequences, spare synthesizers, and an electric piano that all endearingly sound a bit like a karaoke machine. English electronic music producer Ewan Pearson gives the version of Thorn’s own “Why Does the Wind?” a clean radio edit to keep it under the four-minute mark. There are a few other remixes of this tune; the standout is by Michel Cleis, who eschews trendy house throwback tones for a minimal layering of tribal drums and sweeping strings under Thorn’s singing. The heady “Kentish Town” gets a gauzy redesign by WALLS, in which krautrock-inspired drones pulse lightly against Brian Eno-esque tones and looped snippets of Thorn’s vocals. Her heavenly take on Sufjan Stevens’ “Sister Winter” is another brilliant gem.