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No Deposit No Return

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Download links and information about No Deposit No Return by Tuli Kupferberg. This album was released in 1989 and it belongs to genres. It contains 17 tracks with total duration of 47:37 minutes.

Artist: Tuli Kupferberg
Release date: 1989
Genre:
Tracks: 17
Duration: 47:37
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Tracks

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No. Title Length
1. Pubol 2:19
2. Social Studies 2:24
3. The Hidden Dissuaders 2:34
4. Lifetime Guarantee 0:42
5. The Art Scene 2:46
6. Want Ads 1 4:04
7. Rangoon Rambler 3:52
8. Purina 0:40
9. Lanoflo 3:24
10. The Hyperemiator 6:32
11. The Sap Glove 2:03
12. The Bunny Mother 1:48
13. Auto-Da-Fe 2:04
14. Fields Matrimonial Service 2:35
15. Want Ads 2 4:26
16. Howard Johnson's Army 4:22
17. No Deposit No Return 1:02

Details

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As the inner sleeve says, this is "an album of Popular Poetry, Pop Poetry. Real Advertisements. As they appeared in newspapers, magazines, in direct mail, a company info bulletin, as a schoolroom flyer. No word has been added. Parts of some have been repeated. Parts of some omitted. But these are the very texts. These are for real!" These sound so weird and silly, particularly the ones for sexual aids, that you suspect that they were made up. However, the CD booklet does contain actual repros of vintage ads for "The Hyperemiator" and "The Sap Glove" that are recited word for word. On paper, the album's concept sounds like it might not work, but Kupferberg's readings/interpretations are often sly and funny, whether he brings out the absurdity of the texts by using a poker-faced tone, or adopts mocking or ridiculous accents to draw out the ridiculous nature of the source material. It helps that there are a lot of ingenious sound effects — by, one would guess, Gary Elton, credited with "various" — to complement the prose (auto crashes on "Auto-Da-Fe," for instance). This, and particularly the sexually graphic material, isn't as shocking and funny as it was in 1966, but it's still amusing. The CD reissue has ten tracks from side one of the 1989 LP Tuli & Friends, which is much more musical, with material more in line with the Fugs' brand of satire, though it's not on the same level as the good Fugs' records.