Tchaikovsky: Iolanta
Download links and information about Tchaikovsky: Iolanta by Grigorian Gegam, Gorchakova Galina, Dmitri Hvorostovsky, Valery Gergiev, St Petersburg, Chorus Of The Kirov Opera, St. Petersburg Orchestra Of The Kirov Opera. This album was released in 1996 and it belongs to Classical, Opera genres. It contains 21 tracks with total duration of 01:35:39 minutes.
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| Artist: | Grigorian Gegam, Gorchakova Galina, Dmitri Hvorostovsky, Valery Gergiev, St Petersburg, Chorus Of The Kirov Opera, St. Petersburg Orchestra Of The Kirov Opera |
| Release date: | 1996 |
| Genre: | Classical, Opera |
| Tracks: | 21 |
| Duration: | 01:35:39 |
| Buy it NOW at: | |
| Buy on iTunes $19.99 | |
| Buy on iTunes $19.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Iolanta Op.69: Introduction (featuring Kirov Orchestra) | 2:17 |
| 2. | Iolanta Op.69: "Moj Ptenchik, Iolanta" (featuring Kirov Orchestra, Kirov Chorus, Larissa Diadkova, Olga Korzhenskaya, Tatiana Krastsova) | 6:29 |
| 3. | Iolanta Op.69: "Atchevo Eta Prezhde Ne Znala" (featuring Kirov Orchestra) | 2:38 |
| 4. | Iolanta Op.69: "Polna, Ni Nada, Radnaja" (featuring Kirov Orchestra, Kirov Chorus, Larissa Diadkova, Olga Korzhenskaya, Tatiana Krastsova) | 1:54 |
| 5. | Iolanta Op.69: "Brigitta, Eta Ty?" (featuring Kirov Orchestra, Larissa Diadkova, Olga Korzhenskaya, Tatiana Krastsova) | 1:58 |
| 6. | Iolanta Op.69: "Spi, Pust'Ang'ely Krylami Navevajut Sny" (featuring Kirov Orchestra, Kirov Chorus, Larissa Diadkova, Olga Korzhenskaya, Tatiana Krastsova) | 3:48 |
| 7. | Iolanta Op.69: "Prizyvnyj Rok..." (featuring Putilin Nikolai, Gassiev Nikolai, Sergei Aleksashkin, Kirov Orchestra, Larissa Diadkova, Gennadi Bezzubenkov) | 8:32 |
| 8. | Iolanta Op.69: "Gaspot'moj, Jesli Greshen Ja" (featuring Sergei Aleksashkin, Kirov Orchestra) | 3:41 |
| 9. | Iolanta Op.69: "Tvajo Litso Besstrasna" (featuring Putilin Nikolai, Sergei Aleksashkin, Kirov Orchestra) | 3:18 |
| 10. | Iolanta Op.69: "Dva Mira: Plotskij I Duhovnyj" (featuring Putilin Nikolai, Sergei Aleksashkin, Kirov Orchestra) | 4:28 |
| 11. | Iolanta Op.69: "Ne Tarapis'" (featuring Kirov Orchestra) | 5:28 |
| 12. | Iolanta Op.69: "Net! Chary Lask Krasy M'atezhnaj" (featuring Kirov Orchestra) | 3:54 |
| 13. | Iolanta Op.69: "Adnaka, Gde Zhe My?" (featuring Kirov Orchestra) | 6:47 |
| 14. | Iolanta Op.69: "Vy Mne Petstali Kak Veden'je" (featuring Kirov Orchestra) | 6:17 |
| 15. | Iolanta Op.69: "Tvajo Malchan'je Nepan'atna" (featuring Kirov Orchestra) | 10:05 |
| 16. | Iolanta Op.69: "Iolanta! Gde Ty?" (featuring Putilin Nikolai, Gassiev Nikolai, Sergei Aleksashkin, Kirov Orchestra, Kirov Chorus, Larissa Diadkova, Olga Korzhenskaya, Gennadi Bezzubenkov, Tatiana Krastsova) | 7:21 |
| 17. | Iolanta Op.69: "Net, Nazavi Muchen'ja" (featuring Putilin Nikolai, Gassiev Nikolai, Sergei Aleksashkin, Kirov Orchestra, Kirov Chorus, Larissa Diadkova, Olga Korzhenskaya, Gennadi Bezzubenkov, Tatiana Krastsova) | 3:50 |
| 18. | Iolanta Op.69: "Prasti Min'a, Ja Abmanul Tib'a" (featuring Gassiev Nikolai, Sergei Aleksashkin, Kirov Orchestra) | 2:12 |
| 19. | Iolanta Op.69: "Gotfrid, Ja Vyruchat'tib'a Javilsa" (featuring Putilin Nikolai, Gassiev Nikolai, Sergei Aleksashkin, Kirov Orchestra, Kirov Chorus, Larissa Diadkova, Olga Korzhenskaya, Gennadi Bezzubenkov, Tatiana Krastsova) | 4:32 |
| 20. | Iolanta Op.69: "Gde Ja?" (featuring Putilin Nikolai, Kirov Orchestra) | 1:54 |
| 21. | Iolanta Op.69: "Blagoj Velikij, Neizmennyj" (featuring Putilin Nikolai, Gassiev Nikolai, Sergei Aleksashkin, Kirov Orchestra, Kirov Chorus, Larissa Diadkova, Olga Korzhenskaya, Gennadi Bezzubenkov, Tatiana Krastsova) | 4:16 |
Details
[Edit]There are only so many ways you can say it, but it's worth repeating: the combination of Valery Gergiev and the Kirov Orchestra is one of the all-time best when it comes to performing Russian music for the stage. The recording of the complete Nutcracker is just one example of their particular skills. There is a clarity and precision to the orchestra's playing that gives Tchaikovsky's music sparkle, while Gergiev breathes life into the dances and few moments of drama that are in the story. Melodies and countermelodies seamlessly pass from one instrument to another, and every nuance of dynamics and timing. And yet that attention to detail does not detract from the enchantment of the presentation. It's a refreshing reading of the complete ballet that stands in contrast to the often run-of-the-mill and clichéd performances of the Nutcracker Suite., Rovi