Prokofiev: Romeo & Juliet
Download links and information about Prokofiev: Romeo & Juliet by Valery Gergiev, Kirov Orchestra. This album was released in 1991 and it belongs to genres. It contains 46 tracks with total duration of 02:23:51 minutes.
Artist: | Valery Gergiev, Kirov Orchestra |
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Release date: | 1991 |
Genre: | |
Tracks: | 46 |
Duration: | 02:23:51 |
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Tracks
[Edit]No. | Title | Length |
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1. | Romeo and Juliet, Op. 64, Act I: No. 1. Introduction | 2:39 |
2. | Romeo and Juliet, Op. 64, Act I: No. 2. Romeo | 1:24 |
3. | Romeo and Juliet, Op. 64, Act I: No. 3. The street wakens | 2:18 |
4. | Romeo and Juliet, Op. 64, Act I: No. 4. Morning dance | 1:47 |
5. | Romeo and Juliet, Op. 64, Act I: No. 5. The quarrel | 1:31 |
6. | Romeo and Juliet, Op. 64, Act I: Nos. 6/7. The fight - The duke's command | 2:26 |
7. | Romeo and Juliet, Op. 64, Act I: No. 8. Interlude | 3:34 |
8. | Romeo and Juliet, Op. 64, Act I: No. 9. At the Capulets' (Preparations for the ball) | 1:54 |
9. | Romeo and Juliet, Op. 64, Act I: No. 10. The young Juliet | 3:14 |
10. | Romeo and Juliet, Op. 64, Act I: No. 11. Arrival of the guests | 3:57 |
11. | Romeo and Juliet, Op. 64, Act I: No. 12. Masks | 2:46 |
12. | Romeo and Juliet, Op. 64, Act I: No. 13. Dance of the knights | 5:22 |
13. | Romeo and Juliet, Op. 64, Act I: No. 14. Juliet's variation | 2:29 |
14. | Romeo and Juliet, Op. 64, Act I: No. 15. Mercutio | 2:10 |
15. | Romeo and Juliet, Op. 64, Act I: No. 16. Madrigal | 3:41 |
16. | Romeo and Juliet, Op. 64, Act I: No. 17. Tybalt recognizes Romeo | 1:45 |
17. | Romeo and Juliet, Op. 64, Act I: No. 18. Gavotte | 3:55 |
18. | Romeo and Juliet, Op. 64, Act I: No. 19. Balcony scene | 3:38 |
19. | Romeo and Juliet, Op. 64, Act I: Nos. 20/21. Romeo's variation - Love dance | 6:30 |
20. | Romeo and Juliet, Op. 64, Act I: No. 22. Folk dance | 3:23 |
21. | Romeo and Juliet, Op. 64, Act I: No. 23. Romeo and Mercutio | 2:10 |
22. | Romeo and Juliet, Op. 64, Act II: No. 24. Dance of the five couples | 3:45 |
23. | Romeo and Juliet, Op. 64, Act II: No. 25. Dance with mandolins | 2:07 |
24. | Romeo and Juliet, Op. 64, Act II: No. 26. Nurse | 1:57 |
25. | Romeo and Juliet, Op. 64, Act II: No. 27. The nurse and Romeo | 0:54 |
26. | Romeo and Juliet, Op. 64, Act II: No. 28. Romeo at friar Laurence's | 3:17 |
27. | Romeo and Juliet, Op. 64, Act II: No. 29. Juliet at friar Laurence's | 3:16 |
28. | Romeo and Juliet, Op. 64, Act II: No. 30. Public merrymaking | 3:09 |
29. | Romeo and Juliet, Op. 64, Act II: No. 31. Further public festivities | 2:17 |
30. | Romeo and Juliet, Op. 64, Act II: No. 32. Meeting of Tybalt and Mercutio | 1:42 |
31. | Romeo and Juliet, Op. 64, Act II: No. 33. The duel | 1:19 |
32. | Romeo and Juliet, Op. 64, Act II: No. 34. Death of Mercutio | 2:37 |
33. | Romeo and Juliet, Op. 64, Act II: Nos. 35/36. Romeo decides to avenge Mercutio - Finale | 4:14 |
34. | Romeo and Juliet, Op. 64, Act III: No. 37/38. Introduction - Romeo and Juliet | 3:06 |
35. | Romeo and Juliet, Op. 64, Act III: No. 39. Romeo bids Juliet farewell | 5:52 |
36. | Romeo and Juliet, Op. 64, Act III: No. 40. Nurse | 1:53 |
37. | Romeo and Juliet, Op. 64, Act III: No. 41. Juliet refuses to marry Paris | 2:32 |
38. | Romeo and Juliet, Op. 64, Act III: Nos. 42/43. Juliet alone - Interlude | 3:07 |
39. | Romeo and Juliet, Op. 64, Act III: Nos. 44/45. At friar Laurence's cell - Interlude | 6:31 |
40. | Romeo and Juliet, Op. 64, Act III: No. 46. Juliet's room | 3:10 |
41. | Romeo and Juliet, Op. 64, Act III: No. 47. Juliet alone | 5:31 |
42. | Romeo and Juliet, Op. 64, Act III: No. 48. Aubade | 2:36 |
43. | Romeo and Juliet, Op. 64, Act III: No. 49. Dance of the girls with lilies | 2:23 |
44. | Romeo and Juliet, Op. 64, Act III: No. 50. At Juliet's bedside | 2:18 |
45. | Romeo and Juliet, Op. 64, Epilogue: No. 51. Juliet's funeral | 7:08 |
46. | Romeo and Juliet, Op. 64, Epilogue: No. 52. Juliet's death | 4:37 |
Details
[Edit]Along with his compatriot Stravinsky, Russian composer Sergei Prokofiev was a darling of the modernist Avant-garde movement of the early 20th century. His score to the ballet version of Shakespeare’s Romeo and Juliet is one of his most accessible works, with lush melodies, bristling dance rhythms and brassy intensity (the “Dance of the Knights” was made famous in the UK as the theme from the TV series The Apprentice). One of today’s most respected interpreters of Prokofiev is the charismatic Russian maestro Valery Gergiev, whose sonically spectacular 2010 performance with the London Symphony Orchestra has become the new standard of the work.