|
No. |
Title |
Length |
| 1. |
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903) (featuring James Friskin) |
6:25 |
| 2. |
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948) (featuring James Friskin) |
4:59 |
| 3. |
Italian Concerto, BWV971: i. Allegro (featuring James Friskin) |
4:12 |
| 4. |
Italian Concerto, BWV971: ii. Andante (featuring James Friskin) |
5:04 |
| 5. |
Italian Concerto, BWV971: iii. Presto (featuring James Friskin) |
4:00 |
| 6. |
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to per (featuring James Friskin) |
1:49 |
| 7. |
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of th (featuring James Friskin) |
1:17 |
| 8. |
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) (featuring James Friskin) |
2:27 |
| 9. |
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends co (featuring James Friskin) |
0:27 |
| 10. |
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione (featuring James Friskin) |
1:05 |
| 11. |
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione (featuring James Friskin) |
2:20 |
| 12. |
Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin (featuring James Friskin) |
2:47 |
| 13. |
Toccata in C Minor, BWV911 (featuring James Friskin) |
10:06 |
| 14. |
French Suite No. 3 in B Minor BWV814: i. Allemande (featuring James Friskin) |
2:07 |
| 15. |
French Suite No. 3 in B Minor BWV814: ii. Courante (featuring James Friskin) |
1:23 |
| 16. |
French Suite No. 3 in B Minor BWV814: iii. Sarabande (featuring James Friskin) |
2:35 |
| 17. |
French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio (featuring James Friskin) |
1:22 |
| 18. |
French Suite No. 3 in B Minor BWV814: v. Gavotte (featuring James Friskin) |
2:58 |
| 19. |
French Suite No. 3 in B Minor BWV814: vi. Gigue (featuring James Friskin) |
1:14 |
| 20. |
French Suite No. 4 in E-flat Major, BWV815: i. Allemande (featuring James Friskin) |
1:20 |
| 21. |
French Suite No. 4 in E-flat Major, BWV815: ii. Courante (featuring James Friskin) |
1:15 |
| 22. |
French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande (featuring James Friskin) |
1:33 |
| 23. |
French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte (featuring James Friskin) |
1:06 |
| 24. |
French Suite No. 4 in E-flat Major, BWV815: v. Air (featuring James Friskin) |
1:24 |
| 25. |
French Suite No. 4 in E-flat Major, BWV815: vi. Menuet (featuring James Friskin) |
0:58 |
| 26. |
French Suite No. 4 in E-flat Major, BWV815: vii. Gigue (featuring James Friskin) |
2:30 |
| 27. |
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme (featuring Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
7:15 |
| 28. |
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt (featuring Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska, Alfred Uhl) |
1:12 |
| 29. |
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil (featuring Hans Braun, Anny Felbermeyer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
6:05 |
| 30. |
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') (featuring Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
4:39 |
| 31. |
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir (featuring Hans Braun, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
1:48 |
| 32. |
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! (featuring Hans Braun, Anny Felbermeyer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
4:14 |
| 33. |
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen (featuring Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
1:55 |
| 34. |
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden (featuring Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
5:45 |
| 35. |
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt (featuring Anny Felbermeyer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
3:51 |
| 36. |
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn (featuring Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska, Alfred Uhl) |
2:03 |
| 37. |
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg (featuring Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
2:33 |
| 38. |
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm (featuring Hans Braun, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
3:48 |
| 39. |
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest (featuring Anny Felbermeyer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska, Alfred Uhl) |
1:56 |
| 40. |
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl (featuring Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
1:18 |
| 41. |
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen) |
2:51 |
| 42. |
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen, Harald Hermann) |
6:01 |
| 43. |
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen, Margit Opawsky) |
1:29 |
| 44. |
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Michael Gielen) |
2:20 |
| 45. |
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen, Harald Hermann) |
1:26 |
| 46. |
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen) |
0:45 |
| 47. |
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen) |
4:34 |
| 48. |
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Michael Gielen) |
5:35 |
| 49. |
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen, Waldemar Kmett) |
1:08 |
| 50. |
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren (featuring Wiener Kammerchor, Michael Gielen, VMargit Opawsky, Ienna State Opera Orchestra) |
9:24 |
| 51. |
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen, Harald Hermann) |
1:07 |
| 52. |
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Michael Gielen) |
1:17 |
| 53. |
Magnificat in D, BWV243: i. Coro: Magnificat anima mea (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Felix Prohaska) |
3:09 |
| 54. |
Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Felix Prohaska, Margaret Sjöstedt / Margaret Sjostedt) |
2:28 |
| 55. |
Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Mimi Coertse, Felix Prohaska) |
2:50 |
| 56. |
Magnificat in D, BWV243: iv. Coro: Omnes generationes (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Felix Prohaska) |
1:33 |
| 57. |
Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Frederic Guthrie, Felix Prohaska) |
2:14 |
| 58. |
Magnificat in D, BWV243: vi. Duetto: Et misericordia (featuring Anton Dermota, Wiener Kammerchor, Vienna State Opera Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Felix Prohaska) |
3:50 |
| 59. |
Magnificat in D, BWV243: vii. Coro: Fecit potentiam (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Felix Prohaska) |
2:06 |
| 60. |
Magnificat in D, BWV243: viii. Aria: Deposuit potentes (featuring Anton Dermota, Wiener Kammerchor, Vienna State Opera Orchestra, Felix Prohaska) |
2:24 |
| 61. |
Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Felix Prohaska) |
2:52 |
| 62. |
Magnificat in D, BWV243: x. Terzetto: Suscepit Israel (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Mimi Coertse, Felix Prohaska, Margaret Sjöstedt / Margaret Sjostedt) |
2:18 |
| 63. |
Magnificat in D, BWV243: xi. Coro: Sicut locutus est (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Felix Prohaska) |
1:23 |
| 64. |
Magnificat in D, BWV243: xii. Coro: Gloria Patri (featuring Wiener Kammerchor, Vienna State Opera Orchestra, Felix Prohaska) |
2:10 |
| 65. |
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio (featuring James Buswell, Fernando Valenti) |
4:38 |
| 66. |
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro (featuring James Buswell, Fernando Valenti) |
3:22 |
| 67. |
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante (featuring James Buswell, Fernando Valenti) |
3:48 |
| 68. |
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro (featuring James Buswell, Fernando Valenti) |
3:33 |
| 69. |
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio (featuring James Buswell, Fernando Valenti) |
3:47 |
| 70. |
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai (featuring James Buswell, Fernando Valenti) |
3:09 |
| 71. |
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco (featuring James Buswell, Fernando Valenti) |
4:04 |
| 72. |
No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto (featuring James Buswell, Fernando Valenti) |
4:53 |
| 73. |
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio (featuring James Buswell, Fernando Valenti) |
6:47 |
| 74. |
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro (featuring James Buswell, Fernando Valenti) |
3:13 |
| 75. |
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto (featuring James Buswell, Fernando Valenti) |
6:09 |
| 76. |
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro (featuring James Buswell, Fernando Valenti) |
3:46 |
| 77. |
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano (featuring James Buswell, Fernando Valenti) |
7:20 |
| 78. |
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro (featuring James Buswell, Fernando Valenti) |
4:42 |
| 79. |
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio (featuring James Buswell, Fernando Valenti) |
4:44 |
| 80. |
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro (featuring James Buswell, Fernando Valenti) |
4:36 |
| 81. |
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo (featuring James Buswell, Fernando Valenti) |
7:35 |
| 82. |
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro (featuring James Buswell, Fernando Valenti) |
4:45 |
| 83. |
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio (featuring James Buswell, Fernando Valenti) |
5:32 |
| 84. |
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace (featuring James Buswell, Fernando Valenti) |
2:09 |
| 85. |
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro (featuring James Buswell, Fernando Valenti) |
3:47 |
| 86. |
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo (featuring James Buswell, Fernando Valenti) |
2:08 |
| 87. |
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro (featuring James Buswell, Fernando Valenti) |
5:13 |
| 88. |
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio (featuring James Buswell, Fernando Valenti) |
4:15 |
| 89. |
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro (featuring James Buswell, Fernando Valenti) |
3:06 |
| 90. |
Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
8:57 |
| 91. |
Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte (featuring Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:45 |
| 92. |
Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:02 |
| 93. |
Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:29 |
| 94. |
Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
0:19 |
| 95. |
Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:32 |
| 96. |
Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
0:34 |
| 97. |
Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:26 |
| 98. |
Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:10 |
| 99. |
Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu (featuring Wiener Kammerchor, Anton Heiller, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
5:21 |
| 100. |
Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera, Friedl Kummer) |
0:40 |
| 101. |
Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
4:01 |
| 102. |
Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:11 |
| 103. |
Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
0:23 |
| 104. |
Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt (featuring Waldemar Kmentt, Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:42 |
| 105. |
Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:05 |
| 106. |
Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera, U Ebrelius, W Kmentt, F Kummer) |
3:37 |
| 107. |
Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt (featuring Teresa Stich - Randall, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:54 |
| 108. |
Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken (featuring Teresa Stich - Randall, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
4:28 |
| 109. |
Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten (featuring Waldemar Kmentt, Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:07 |
| 110. |
Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:19 |
| 111. |
Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm (featuring Waldemar Kmentt, Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:09 |
| 112. |
Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:19 |
| 113. |
Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:40 |
| 114. |
Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz (featuring Waldemar Kmentt, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
2:35 |
| 115. |
Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen (featuring Waldemar Kmentt, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
5:50 |
| 116. |
Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig (featuring Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:50 |
| 117. |
Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:23 |
| 118. |
Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
6:05 |
| 119. |
Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern (featuring Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:19 |
| 120. |
Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:23 |
| 121. |
Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend (featuring Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera, Friedl Kummer) |
2:31 |
| 122. |
Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden? (featuring Teresa Stich - Randall, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
5:24 |
| 123. |
Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren (featuring Wiener Kammerchor, Anton Heiller, Hans Braun, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
2:24 |
| 124. |
Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
9:15 |
| 125. |
Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin (featuring Wiener Kammerchor, Anton Heiller, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
4:57 |
| 126. |
Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:09 |
| 127. |
Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht' (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
0:59 |
| 128. |
Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:20 |
| 129. |
Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille (featuring Waldemar Kmentt, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:19 |
| 130. |
Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen! (featuring Waldemar Kmentt, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
4:24 |
| 131. |
Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig (featuring Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:42 |
| 132. |
Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:43 |
| 133. |
Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:02 |
| 134. |
Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:19 |
| 135. |
Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen (featuring Waldemar Kmentt, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:15 |
| 136. |
Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott (featuring Wiener Kammerchor, Anton Heiller, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
7:52 |
| 137. |
Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:14 |
| 138. |
Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera, Friedl Kummer) |
1:13 |
| 139. |
Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:51 |
| 140. |
Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
3:48 |
| 141. |
Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat (featuring Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
2:23 |
| 142. |
Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:21 |
| 143. |
Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen! (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
2:44 |
| 144. |
Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe! (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
0:58 |
| 145. |
Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:17 |
| 146. |
Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan (featuring Teresa Stich - Randall, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:27 |
| 147. |
Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben (featuring Teresa Stich - Randall, Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
5:49 |
| 148. |
Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: D (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
2:24 |
| 149. |
Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott! (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:21 |
| 150. |
Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen (featuring Wiener Kammerchor, Anton Heiller, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
8:11 |
| 151. |
Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
1:21 |
| 152. |
Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
2:46 |
| 153. |
Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:55 |
| 154. |
Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
0:38 |
| 155. |
Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
6:55 |
| 156. |
Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
3:44 |
| 157. |
Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
0:18 |
| 158. |
Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha! (featuring Wiener Kammerchor, Anton Heiller, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
2:06 |
| 159. |
Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand (featuring Wiener Kammerchor, Anton Heiller, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
3:44 |
| 160. |
Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recita (featuring Wiener Kammerchor, Anton Heiller, Hans Braun, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
2:19 |
| 161. |
Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
1:53 |
| 162. |
Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
2:45 |
| 163. |
Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
2:25 |
| 164. |
Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
8:03 |
| 165. |
Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Uno Ebrelius, Chamber Orchestra Of Vienna State Opera) |
2:59 |
| 166. |
Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, W Kmentt, T Stich-Randall, H Rossl-Majdan, Cham Orch Of Vienna State Opera) |
2:22 |
| 167. |
Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder (featuring Wiener Kammerchor, Anton Heiller, Mogens Woldike, Chamber Orchestra Of Vienna State Opera) |
7:03 |
| 168. |
Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
4:17 |
| 169. |
Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
3:12 |
| 170. |
Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
4:57 |
| 171. |
Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro] (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
3:30 |
| 172. |
Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
4:21 |
| 173. |
Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
4:28 |
| 174. |
Partita in A Minor for Solo Flute, BWV 1013: i. Allemande (featuring Paula Robison) |
3:17 |
| 175. |
Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente (featuring Paula Robison) |
3:37 |
| 176. |
Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande (featuring Paula Robison) |
4:11 |
| 177. |
Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise (featuring Paula Robison) |
2:41 |
| 178. |
Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
3:55 |
| 179. |
Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
4:42 |
| 180. |
Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
2:43 |
| 181. |
Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
3:03 |
| 182. |
Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
3:27 |
| 183. |
Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2 (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
3:16 |
| 184. |
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
4:08 |
| 185. |
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
3:32 |
| 186. |
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
2:32 |
| 187. |
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro (featuring Kenneth Cooper, Paula Robison, Timothy Eddy) |
2:33 |
| 188. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
6:11 |
| 189. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
0:31 |
| 190. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
3:59 |
| 191. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
0:45 |
| 192. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
2:48 |
| 193. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
0:52 |
| 194. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
4:33 |
| 195. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
0:30 |
| 196. |
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage (featuring Anny Felbermayer, Orchestra Of The Bach Guild, Choir Of The Bach Guild, Felix Prohaska) |
1:53 |
| 197. |
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor (featuring Teresa Stich - Randall, Anton Heiller, Vienna State Opera Orchestra) |
7:02 |
| 198. |
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore (featuring Teresa Stich - Randall, Anton Heiller, Vienna State Opera Orchestra) |
1:25 |
| 199. |
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore (featuring Teresa Stich - Randall, Anton Heiller, Vienna State Opera Orchestra) |
9:54 |
| 200. |
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta (featuring Teresa Stich - Randall, Anton Heiller, Vienna State Opera Orchestra) |
0:38 |
| 201. |
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento (featuring Teresa Stich - Randall, Anton Heiller, Vienna State Opera Orchestra) |
6:13 |
| 202. |
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen! (featuring Teresa Stich - Randall, Anton Heiller, Vienna State Opera Orchestra) |
5:09 |
| 203. |
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an (featuring Teresa Stich - Randall, Anton Heiller, Vienna State Opera Orchestra) |
2:55 |
| 204. |
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte (featuring Anton Heiller, Ienna State Opera Orchestra, VTheresa Stich-Randall) |
5:10 |
| 205. |
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alleluia (featuring Teresa Stich - Randall, Anton Heiller, Vienna State Opera Orchestra) |
6:12 |
| 206. |
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott (featuring English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
6:38 |
| 207. |
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren (featuring Felicity Palmer, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
4:06 |
| 208. |
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes (featuring Michael Rippon, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
2:25 |
| 209. |
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus (featuring Felicity Palmer, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
4:01 |
| 210. |
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel wär (featuring English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
4:19 |
| 211. |
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi blutgefärbten Fahne (featuring Robert Tear, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
1:29 |
| 212. |
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen (featuring Helen Watts, Robert Tear, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
4:14 |
| 213. |
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn (featuring English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
1:52 |
| 214. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen (featuring English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
5:05 |
| 215. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf (featuring Robert Tear, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
0:36 |
| 216. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah? (featuring English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
1:19 |
| 217. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben (featuring Michael Rippon, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
7:09 |
| 218. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends (featuring Helen Watts, Robert Tear, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
0:29 |
| 219. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir (featuring English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
1:32 |
| 220. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren (featuring Robert Tear, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
1:17 |
| 221. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zurück (featuring Felicity Palmer, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
0:39 |
| 222. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an (featuring Robert Tear, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
0:47 |
| 223. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke (featuring Felicity Palmer, English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
7:04 |
| 224. |
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen (featuring English Chamber Orchestra, Amor Artis Chorale, Johannes Somary) |
4:46 |
| 225. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.) (featuring James Friskin) |
1:54 |
| 226. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 2 (a 1 clav.) (featuring James Friskin) |
0:58 |
| 227. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 3 (canone all'unisuono a 1 clav.) (featuring James Friskin) |
0:52 |
| 228. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 4 (a 1 clav.) (featuring James Friskin) |
2:32 |
| 229. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.) (featuring James Friskin) |
1:05 |
| 230. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 6 (canone alla seconda a 1 clav.) (featuring James Friskin) |
0:50 |
| 231. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga) (featuring James Friskin) |
0:46 |
| 232. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 8 (a 2 clav.) (featuring James Friskin) |
0:46 |
| 233. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 9 (canone alla terza a 1 clav.) (featuring James Friskin) |
0:59 |
| 234. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.) (featuring James Friskin) |
0:51 |
| 235. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 11 (a 2 clav.) (featuring James Friskin) |
0:48 |
| 236. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 12 (canone alla quarta a 1 clav.) (featuring James Friskin) |
0:55 |
| 237. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 13 (a 2 clav.) (featuring James Friskin) |
1:29 |
| 238. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 14 (a 2 clav.) (featuring James Friskin) |
2:34 |
| 239. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante) (featuring James Friskin) |
1:10 |
| 240. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 16 (ouverture a 1 clav.) (featuring James Friskin) |
1:56 |
| 241. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 17 (a 2 clav.) (featuring James Friskin) |
1:59 |
| 242. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 18 (canone alla sexta a 1 clav.) (featuring James Friskin) |
1:01 |
| 243. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 19 (a 1 clav.) (featuring James Friskin) |
0:40 |
| 244. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.) (featuring James Friskin) |
1:00 |
| 245. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 21 (canone alla settima a 1 clav.) (featuring James Friskin) |
1:05 |
| 246. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 22 (a 1 clav. alla breve) (featuring James Friskin) |
1:20 |
| 247. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 23 (a 2 clav.) (featuring James Friskin) |
0:46 |
| 248. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 24 (canone all'ottava a 1 clav.) (featuring James Friskin) |
1:09 |
| 249. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 25 (a 2 clav.: Adagio) (featuring James Friskin) |
1:38 |
| 250. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.) (featuring James Friskin) |
3:45 |
| 251. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 27 (canone alla nona a 2 clav.) (featuring James Friskin) |
1:15 |
| 252. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 28 (a 2 clav.) (featuring James Friskin) |
0:53 |
| 253. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 29 (a 1 o vero 2 clav.) (featuring James Friskin) |
2:18 |
| 254. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 30 (quodlibet a 1 clav.) (featuring James Friskin) |
2:06 |
| 255. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 31 (featuring James Friskin) |
1:30 |
| 256. |
Goldberg Variations, BWV988 (Clavier-Übung IV): Aria da capo (featuring James Friskin) |
2:05 |
| 257. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: i. Sinfonia (featuring Vienna Chamber Orchestra, Felix Prohaska, Akademie Choir) |
4:17 |
| 258. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagio (featuring Vienna Chamber Orchestra, Felix Prohaska, Akademie Choir) |
4:54 |
| 259. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe (featuring Kurt Equiluz, Walter Berry, Vienna Chamber Orchestra, Felix Prohaska, Akademie Choir) |
5:04 |
| 260. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn (featuring Kurt Equiluz, Walter Berry, Vienna Chamber Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Felix Prohaska, Akademie Choir, Maja Weis-Osborn) |
1:14 |
| 261. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: v. Aria (Soprano): Seele, deine Spezereien (featuring Vienna Chamber Orchestra, Felix Prohaska, Akademie Choir, Maja Weis-Osborn) |
7:31 |
| 262. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft (featuring Kurt Equiluz, Walter Berry, Vienna Chamber Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Felix Prohaska, Akademie Choir) |
1:09 |
| 263. |
263 Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer (featuring Kurt Equiluz, Vienna Chamber Orchestra, Felix Prohaska, Akademie Choir) |
7:19 |
| 264. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir (featuring Vienna Chamber Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Felix Prohaska, Akademie Choir, Maja Weis-Osborn) |
0:59 |
| 265. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde (featuring Vienna Chamber Orchestra, Hilde Rössl-Majdan / Hilde Rossl-Majdan, Felix Prohaska, Akademie Choir) |
4:40 |
| 266. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut (featuring Walter Berry, Vienna Chamber Orchestra, Felix Prohaska, Akademie Choir) |
0:46 |
| 267. |
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank (featuring Vienna Chamber Orchestra, Felix Prohaska, Akademie Choir) |
3:07 |
| 268. |
Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50 (featuring Wiener Staatsopernchor, Orchestra Of The Vienna State Opera, Felix Prohaska) |
3:59 |
| 269. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet! (featuring Vienna State Opera Orchestra, Choir Of The Bach Guild, Felix Prohaska) |
4:29 |
| 270. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten Sünder (featuring Vienna State Opera Orchestra, Norman Foster, Choir Of The Bach Guild, Felix Prohaska) |
1:39 |
| 271. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn kömmt der Tag (featuring Vienna State Opera Orchestra, Choir Of The Bach Guild, Felix Prohaska, Erika Wien) |
4:31 |
| 272. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen (featuring Vienna State Opera Orchestra, Hugo Meyer-Welfing, Choir Of The Bach Guild, Felix Prohaska) |
0:50 |
| 273. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): Laßt der Spötter Zungen schmähen (featuring Vienna State Opera Orchestra, Anny Felbermayer, Choir Of The Bach Guild, Felix Prohaska) |
3:02 |
| 274. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unartigen Geschlechte (featuring Vienna State Opera Orchestra, Hugo Meyer-Welfing, Choir Of The Bach Guild, Felix Prohaska) |
0:41 |
| 275. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele (featuring Vienna State Opera Orchestra, Choir Of The Bach Guild, Felix Prohaska, The Conductor, Felix Prohaska * <Conductor> Vienna, State Opera Orchestra) |
2:08 |
| 276. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor (featuring Vienna State Opera Orchestra, Hugo Meyer-Welfing, Choir Of The Bach Guild, Felix Prohaska) |
3:43 |
| 277. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag (featuring Vienna State Opera Orchestra, Norman Foster, Choir Of The Bach Guild, Felix Prohaska) |
2:16 |
| 278. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag (featuring Vienna State Opera Orchestra, Norman Foster, Choir Of The Bach Guild, Felix Prohaska) |
3:20 |
| 279. |
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel nicht (featuring Vienna State Opera Orchestra, Choir Of The Bach Guild, Felix Prohaska) |
1:20 |
| 280. |
Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, "Schlage doch, gewunschte Stunde" (featuring Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro) |
9:27 |
| 281. |
Passion According to St. John, BWV245: Aria, "Est ist vollbracht" (featuring Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro) |
6:50 |
| 282. |
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, "Widerstehe doch der Sünde" (featuring Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro) |
9:03 |
| 283. |
Passion According to St. Matthew, BWV244: Recitative, "Du Lieber Heiland" (featuring Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro) |
5:55 |
| 284. |
Cantata No.55: Ich armer Mensch, ich Sündenknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich' (featuring Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro) |
8:47 |
| 285. |
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: "Die art verruchter Sünden" (featuring Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro) |
1:37 |
| 286. |
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, "Wer Sunde tut" (featuring Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro) |
3:20 |
| 287. |
Christmas Oratorio, BWV248: Aria, "Bereite dich, Zion" (featuring Maureen Forrester, I Solisti Di Zagreb, Antonio Janigro) |
5:28 |
| 288. |
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia (featuring Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro) |
7:29 |
| 289. |
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben (featuring Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro) |
2:26 |
| 290. |
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe Gottes? (featuring Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro) |
1:00 |
| 291. |
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt (featuring Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro) |
5:32 |
| 292. |
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch dabei (featuring Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro) |
0:31 |
| 293. |
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du süße Liebe, schenk uns deine Gunst (featuring Maureen Forrester, Anton Heiller, I Solisti Di Zagreb, Antonio Janigro) |
1:03 |
