|
No. |
Title |
Length |
| 1. |
Quatre Motets pour le temps de Noël, FP 152: III. Videntes stellam (featuring Harry Christophers The Sixteen) |
3:11 |
| 2. |
Lamentations of Jeremiah: I. Beth (featuring Cambridge, Choir Of King'S College, Philip Ledger) |
4:26 |
| 3. |
Stabat Mater: I. Stabat mater dolorosa (Introduction) (featuring Agnes Baltsa, Catherine Malfitano, Robert Gambill, Riccardo Muti, Orchestra Del Maggio Musicale Fiorentino, Coro Del Maggio Musicale Fiorentino) |
9:52 |
| 4. |
Quatre Motets pour le temps de Noël, FP 152: II. Quem vidistis pastores (featuring Harry Christophers The Sixteen) |
2:39 |
| 5. |
Der Himmel lacht! die Erde jubilieret, BWV 31: VIII. Letzte Stunde, brich herein (Boy Soprano) (featuring Nikolaus Harnoncourt Concentus Musicus Wien) |
3:49 |
| 6. |
Christus, S. 3, Pt. 3: Easter Hymn (featuring Marjana Lipovšek / Marjana Lipovsek, Tom Krause, Rotterdams Philharmonisch Orkest, James Conlon, Slovak Philharmonic Choir, Benita Valente, Peter Lindroos) |
2:18 |
| 7. |
Parsifal, WWV 111, Act III: Prelude (featuring Armin Jordan, Monte-Carlo Philharmonic Orchestra) |
4:33 |
| 8. |
Symphony No. 2 in C Minor "Resurrection": IV. Sehr Feierlich, Aber Schlicht (featuring Simon Rattle, Janet Baker, City Of Birmingham Symphony Orchestra) |
5:07 |
| 9. |
St Matthew Passion, BWV 244: Chorus: Kommt, ihr Töchter, helft mir klagen (featuring Consortium Musicum, Wolfgang Gönnenwein / Wolfgang Gonnenwein, Suddeutscher Madrigalchor) |
9:01 |
| 10. |
Five Mystical Songs: I. Easter (featuring Cambridge, Choir Of King'S College, John Shirley - Quirk, English Chamber Orchestra, David Willcocks) |
5:12 |
| 11. |
Easter Oratorio, BWV 249: V. Aria: Seele, deine Spezereien (featuring Wolfgang Gönnenwein / Wolfgang Gonnenwein, Südwestdeutsches Kammerorchester / Sudwestdeutsches Kammerorchester, Patricia Johnson) |
11:42 |
| 12. |
Stabat Mater: VIII. Inflammatus et accensus (featuring Agnes Baltsa, Catherine Malfitano, Gwynne Howell, Riccardo Muti, Orchestra Del Maggio Musicale Fiorentino, Coro Del Maggio Musicale Fiorentino) |
4:17 |
| 13. |
Easter Oratorio, BWV 249: I. Sinfonia (featuring Taverner Consort, Andrew Parrott, Taverner Players) |
4:08 |
| 14. |
Cavalleria Rusticana: Regina coeli ... Inneggiamo, Il Signor (Easter Hymn) (featuring Orchestra Of The Royal Opera House, Covent Garden, David Bell, Covent Garden, Lamberto Gardelli, Pauline Tinsley, Covent Garden Chorus Of The Royal Opera House) |
6:06 |
| 15. |
Symphony No. 2 in C Minor "Resurrection": III. In Ruhiger fliessender Bewegung (featuring Simon Rattle, City Of Birmingham Symphony Orchestra) |
11:18 |
| 16. |
The Seven Last Words of Christ, Hob. XX:2: II. Vater vergieb Ihnen (Largo) (featuring The London Philharmonic Orchestra, Peter Mikuláš / Peter Mikulas, Magdalena Hajossyova, Hana Stolfova-Bandova, Jozef Kandlak, Cudovit Rajter) |
6:57 |
| 17. |
Easter Oratorio, BWV 249: VI. Recitativo: Hier ist die Gruft (C,T,B) (featuring Taverner Consort, Andrew Parrott, Taverner Players) |
0:47 |
| 18. |
Symphony No. 2 in C Minor "Resurrection": II. Andante Moderato (featuring Simon Rattle, City Of Birmingham Symphony Orchestra) |
10:15 |
| 19. |
Stabat Mater: II. Cujus animam gementem (featuring Agnes Baltsa, Catherine Malfitano, Robert Gambill, Riccardo Muti, Orchestra Del Maggio Musicale Fiorentino, Coro Del Maggio Musicale Fiorentino) |
6:58 |
| 20. |
Easter Oratorio, BWV 249: IV. Recit: O kalter Männer Sinn! (featuring Dietrich Fischer - Dieskau, Theo Altmeyer, Wolfgang Gönnenwein / Wolfgang Gonnenwein, Südwestdeutsches Kammerorchester / Sudwestdeutsches Kammerorchester, Teresa Zylis-Gara, Patricia Johnson) |
1:15 |
| 21. |
The Seven Last Words of Christ, Hob. XX:2: I. Introduzione (Adagio) (featuring The London Philharmonic Orchestra, Cudovit Rajter) |
5:17 |
| 22. |
St Matthew Passion, BWV 244: Recit (Evangelist) & Arioso (Christus): ...Und er nahm den Kelch -- Trinket alle daraus (featuring Theo Altmeyer, Franz Crass, Consortium Musicum, Wolfgang Gönnenwein / Wolfgang Gonnenwein) |
1:51 |
| 23. |
St Matthew Passion, BWV 244: Chorale: Herzliebster Jesu, was hast du verbrochen (featuring Consortium Musicum, Wolfgang Gönnenwein / Wolfgang Gonnenwein, Suddeutscher Madrigalchor) |
1:08 |
| 24. |
Russian Easter Festival, Op. 36: Overture (featuring Moscow Symphony Orchestra, Sergei Skripka) |
15:55 |
| 25. |
The Seven Last Words of Christ, Hob. XX:2: III. Fürwahr ich sage dir (Grave e cantabile) (featuring The London Philharmonic Orchestra, Peter Mikuláš / Peter Mikulas, Magdalena Hajossyova, Hana Stolfova-Bandova, Jozef Kandlak, Cudovit Rajter) |
7:03 |
| 26. |
The Seven Last Words of Christ, Hob. XX:2: V. Mein Gott, mein Gott, warum hast du micht verlassen (Largo) (featuring The London Philharmonic Orchestra, Peter Mikuláš / Peter Mikulas, Magdalena Hajossyova, Hana Stolfova-Bandova, Jozef Kandlak, Cudovit Rajter) |
7:17 |
| 27. |
St Matthew Passion, BWV 244: Recit (alto): Du lieber Heiland du (featuring Julia Hamari, Consortium Musicum, Wolfgang Gönnenwein / Wolfgang Gonnenwein) |
1:05 |
| 28. |
Lamentations of Jeremiah: II. Ghimel (featuring Cambridge, Choir Of King'S College, Philip Ledger) |
2:08 |
| 29. |
Lamentations of Jeremiah: II. De lamentatione (featuring Cambridge, Choir Of King'S College, Philip Ledger) |
1:20 |
| 30. |
Easter Oratorio, BWV 249: III. Duet & Chorus: Kommt, eilet und laufet (featuring Dietrich Fischer - Dieskau, Theo Altmeyer, Wolfgang Gönnenwein / Wolfgang Gonnenwein, Südwestdeutsches Kammerorchester / Sudwestdeutsches Kammerorchester, Suddeutscher Madrigalchor) |
10:14 |
| 31. |
St Matthew Passion, BWV 244: Aria (alto): Buss und Reu (featuring Julia Hamari, Consortium Musicum, Wolfgang Gönnenwein / Wolfgang Gonnenwein) |
4:52 |
| 32. |
Lamentations of Jeremiah: I. Incipit lamentatio (featuring Cambridge, Choir Of King'S College, Philip Ledger) |
1:04 |
| 33. |
Easter Oratorio, BWV 249: IX. Aria: Saget, saget mir geschwinde (featuring Wolfgang Gönnenwein / Wolfgang Gonnenwein, Südwestdeutsches Kammerorchester / Sudwestdeutsches Kammerorchester, Patricia Johnson, Suddeutscher Madrigalchor) |
7:17 |
| 34. |
Easter Parade (featuring Kiri Te Kanawa, Abbey Road Ensemble, Jonathan Tunick) |
3:13 |
| 35. |
Parsifal, WWV 111, Act I: Prelude (featuring Armin Jordan, Monte-Carlo Philharmonic Orchestra) |
12:08 |
| 36. |
Suite No. 1, Op. 5 "Fantaisie-tableaux": IV. Easter (featuring Martha Argerich) |
2:38 |
| 37. |
Lamentations of Jeremiah: I. Aleph (featuring Cambridge, Choir Of King'S College, Philip Ledger) |
2:04 |
| 38. |
Symphony No. 2 in C Minor "Resurrection": I. Allegro Maestoso (featuring Simon Rattle, City Of Birmingham Symphony Orchestra) |
23:52 |
| 39. |
Lamentations of Jeremiah: II. Heth (featuring Cambridge, Choir Of King'S College, Philip Ledger) |
4:18 |
| 40. |
The Seven Last Words of Christ, Hob. XX:2: IV. Frau hier siehe deinen Sohn (Grave) (featuring The London Philharmonic Orchestra, Peter Mikuláš / Peter Mikulas, Magdalena Hajossyova, Hana Stolfova-Bandova, Jozef Kandlak, Cudovit Rajter) |
8:20 |
| 41. |
Lamentations of Jeremiah: II. Daleth (featuring Cambridge, Choir Of King'S College, Philip Ledger) |
3:12 |
| 42. |
Easter Oratorio, BWV 249: VII. Aria: Sanfte soll mein Todeskummer (featuring Theo Altmeyer, Wolfgang Gönnenwein / Wolfgang Gonnenwein, Südwestdeutsches Kammerorchester / Sudwestdeutsches Kammerorchester) |
6:52 |
| 43. |
St Matthew Passion, BWV 244: Aria (soprano): Blute nur, du liebes Herz (featuring Consortium Musicum, Wolfgang Gönnenwein / Wolfgang Gonnenwein, Teresa Zylis-Gara) |
5:29 |
| 44. |
Quatre Motets pour un temps de pénitence, FP 97: II. Vinea mea electa (featuring Harry Christophers The Sixteen) |
3:49 |
| 45. |
Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos (featuring Simon Rattle, City Of Birmingham Symphony Orchestra) |
6:48 |
