No. |
Title |
Length |
1. |
La finta semplice, K. 51 - 1st (original) version, Act I: "Guarda la donna in viso" (featuring Dresdner Philharmonie, Hans Peter Blochwitz, Jörg-Peter Weigle / Jorg-Peter Weigle) |
5:12 |
2. |
La finta semplice, K. 51 - 1st (original) version, Act III: "Sono in amore, voglio marito" (featuring Elzbieta Szmytka, The Academy Of St. Martin In The Fields, Sir. Neville Marriner) |
3:06 |
3. |
Mitridate, re di Ponto, K. 87 - 1st (original version), Act I: "Al destin, che la minaccia" (featuring Edith Wiens, The Academy Of St. Martin In The Fields, Sir. Neville Marriner) |
8:49 |
4. |
Mitridate, re di Ponto, K. 87 - 1st (original version), Act I: "In faccia all'oggetto" (featuring Elzbieta Szmytka, The Academy Of St. Martin In The Fields, Sir. Neville Marriner) |
5:12 |
5. |
Mitridate, re di Ponto, K. 87 - 1st (original version), Act II: "Lungi da te, mio bene" (featuring Edith Wiens, The Academy Of St. Martin In The Fields, Sir. Neville Marriner) |
7:43 |
6. |
Mitridate, re di Ponto, K. 87 - 1st (original version), Act II: "Se viver non degg'io" (featuring Edith Wiens, Elzbieta Szmytka, The Academy Of St. Martin In The Fields, Sir. Neville Marriner) |
8:35 |
7. |
Mitridate, rè di Ponto, K. 87 (1st version): "Vado incontro, al fato estremo" (featuring Gunnar Gudbjornsson, The Academy Of St. Martin In The Fields, Sir. Neville Marriner) |
3:03 |
8. |
Lucio Silla, K. 135 (Mozart's ornamentation from K. 293e): "Ah se a morir mi chiama" (featuring Iris Vermillion, Münchner Rundfunkorchester / Munchner Rundfunkorchester, Jörg-Peter Weigle / Jorg-Peter Weigle) |
7:54 |
9. |
Welch ängstliches Beben, K. 389 (featuring Robert Tear, Stuart Burrows, The Academy Of St. Martin In The Fields, Colin Davis) |
5:43 |
10. |
"Spiegarti non poss'io", K. 489 (featuring Peter Schreier, Edith Mathis, Staatskapelle Dresden, Karl Böhm / Karl Bohm) |
3:40 |
11. |
"Non più, tutto ascoltai.Non temer, amato bene", K. 490 (featuring Peter Schreier, Staatskapelle Dresden, Peter Mirring) |
8:25 |
12. |
Don Giovanni, ossia Il dissoluto punito, K. 527 - Prague Version 1787, Act II: Restati qua! (Live) (featuring John Eliot Gardiner, English Baroque Soloists, Ildebrando D'Arcangelo, Eirian James) |
1:29 |
13. |
Don Giovanni, ossia Il dissoluto punito, K. 527 - Prague Version 1787, Act II: Per queste tue manine (Leporello, Zerlina) [Live] (featuring John Eliot Gardiner, English Baroque Soloists, Ildebrando D'Arcangelo, Eirian James) |
3:15 |
14. |
Don Giovanni, ossia Il dissoluto punito, K. 527 - Prague Version 1787, Act II: "Amico, per pietà.Andiam, signora" (featuring John Eliot Gardiner, English Baroque Soloists, Ildebrando D'Arcangelo, Charlotte Margiono, Eirian James, Julian Clarkson) |
1:59 |
15. |
Così fan tutte ossia La scuola degli amanti, K. 588, Act I: "Rivolgete a lui lo sguardo" (featuring Roberto Scaltriti, Christophe Rousset, Les Talens Lyriques) |
5:13 |
16. |
Die Zauberflöte, K. 620, Act II: "Pamina, wo bist du?" (featuring Peter Schreier, Bayerisches Staatsorchester, Walter Berry, Wolfgang Sawallisch) |
3:45 |
17. |
A Berenice. Sol nascente, K. 70 (featuring Lucia Popp, Mozarteum - Orchester Salzburg, Leopold Hager) |
10:38 |
18. |
Si mostra la sorte, K. 209 (featuring Francisco Araiza, Mozarteum - Orchester Salzburg, Leopold Hager) |
4:08 |
19. |
Con ossequio, con rispetto, K. 210 (featuring Mozarteum - Orchester Salzburg, Leopold Hager, Claes Hakon Ahnsjö / Claes Hakon Ahnsjo) |
2:44 |
20. |
Voi avete un cor fedele, K. 217 (featuring Felicity Lott, London Mozart Players, Jane Glover) |
7:16 |
21. |
Clarice cara mia sposa, K. 256 (featuring Rolando Villazón / Rolando Villazon, Antonio Pappano, London Symphony Orchestra) |
1:49 |
22. |
Vorrei spiegarvi, oh Dio, K. 418 (featuring Claudio Abbado, Berliner Philharmoniker, Christine Schäfer / Christine Schafer) |
6:14 |
23. |
No., che non sei capace, K. 419 (featuring Edita Gruberova, Mozarteum - Orchester Salzburg, Leopold Hager) |
4:28 |
24. |
Per pietà, non ricercate, K. 420 (featuring Gösta Winbergh / Gosta Winbergh, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
6:34 |
25. |
Dite almeno, in che mancai, K. 479 (Quartet for F. Bianchi: "La villanella rapita") (featuring René Pape / Rene Pape, Anton Scharinger, Hans Peter Blochwitz, Julie Kaufmann, Münchner Rundfunkorchester / Munchner Rundfunkorchester, Jörg-Peter Weigle / Jorg-Peter Weigle) |
6:11 |
26. |
Mandina amabile, K. 480 (Trio for F. Bianchi: "La villanella rapita") (featuring Anton Scharinger, Dresdner Philharmonie, Hans Peter Blochwitz, Eva Lind, Jörg-Peter Weigle / Jorg-Peter Weigle) |
5:21 |
27. |
Mentre ti lascio, oh figlia, K. 513 (featuring Fernando Corena, Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Argeo Quadri) |
5:51 |
28. |
Un bacio di mano, K. 541 (featuring Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras) |
2:08 |
29. |
Alma grande e nobil core, K. 578 (featuring Cecilia Bartoli, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
4:24 |
30. |
Schon lacht der holde Frühling, K. 580 (featuring Edita Gruberova, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
7:52 |
31. |
Chi sà, chi sà qual sia, K. 582 (featuring Cecilia Bartoli, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
3:31 |
32. |
Vado, ma dove? oh Dei!, K. 583 (featuring Kiri Te Kanawa, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
4:13 |
33. |
Va, dal furor portata, K. 21 (featuring Rolando Villazón / Rolando Villazon, Antonio Pappano, London Symphony Orchestra) |
6:26 |
34. |
Conservatevi fedele, K. 23 (featuring Teresa Berganza, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
7:18 |
35. |
Or che il dover. Tali e cotanti sono, K. 36 (featuring Mozarteum - Orchester Salzburg, Thomas Moser, Leopold Hager) |
9:26 |
36. |
Per pietà, bell'idol mio, K. 78 (featuring Edita Gruberova, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
4:40 |
37. |
O temerario Arbace. Per quel paterno amplesso, K. 79 (featuring Kiri Te Kanawa, Vienna Chamber Orchestra, György Fischer / Gyorgy Fischer) |
6:42 |
38. |
Fra cento affanni, K. 88 (featuring Edita Gruberova, Mozarteum - Orchester Salzburg, Leopold Hager) |
10:01 |
39. |
Misero me. Misero pargoletto, K. 77 (featuring Teresa Berganza, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
12:11 |
40. |
Se ardire, e speranza, K. 82 (featuring Mozarteum - Orchester Salzburg, Leopold Hager, Lilian Sukis) |
6:29 |
41. |
"Se tutti i mali mei", K. 83 - 1st (ornamented) version (featuring Julie Kaufmann, Münchner Rundfunkorchester / Munchner Rundfunkorchester, Jörg-Peter Weigle / Jorg-Peter Weigle) |
7:22 |
42. |
"Se tutti i mali mei", K. 83 (featuring Edita Gruberova, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
6:51 |
43. |
Cara, se le mie pene (featuring Edith Mathis, Mozarteum - Orchester Salzburg, Leopold Hager) |
8:58 |
44. |
Ombra felice. Io te lascio, K. 255 (featuring Teresa Berganza, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
8:19 |
45. |
"Ah, lo previdi.Ah, t'invola agl'occhi miei", K. 272 (featuring Kiri Te Kanawa, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
12:13 |
46. |
Alcandro, lo confesso, K. 294 (featuring Krisztina Laki, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
1:37 |
47. |
"Non so d'onde viene", K. 294 (featuring Krisztina Laki, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
7:20 |
48. |
Non so d'onde viene, K. 294 (featuring Rita Streich, Camerata Academica Des Mozarteums Salzburg, Bernhard Paumgartner) |
6:52 |
49. |
Se al labbro mio non credi, K. 295 - 1st (original) version (reconstruction) (featuring Dresdner Philharmonie, Hans Peter Blochwitz, Jörg-Peter Weigle / Jorg-Peter Weigle) |
10:12 |
50. |
Se al labbro mio non credi, K. 295 (featuring Francisco Araiza, Mozarteum - Orchester Salzburg, Leopold Hager) |
11:54 |
51. |
"Basta, vincesti. Ah, non lasciarmi", K. 486a (featuring Lucia Popp, Mozarteum - Orchester Salzburg, Leopold Hager) |
5:33 |
52. |
Popoli di Tessaglia. Io non chiedo, K. 316 (featuring Edita Gruberova, Mozarteum - Orchester Salzburg, Leopold Hager) |
11:21 |
53. |
Ma che vi fece. Sperai vicino, K. 368 (featuring Edita Gruberova, Mozarteum - Orchester Salzburg, Leopold Hager) |
8:37 |
54. |
Misera! dove son!. Ah! non son'io, K. 369 (featuring Sylvia McNair, The Academy Of St. Martin In The Fields, Sir. Neville Marriner) |
6:50 |
55. |
A questo seNo. Or che il cielo, K. 374 (featuring Edith Mathis, Mozarteum - Orchester Salzburg, Leopold Hager) |
8:11 |
56. |
Nehmt meinen Dank, K. 383 (featuring Renée Fleming / Renee Fleming, Orchestra Of St. Luke's, Sir Charles Mackerras) |
3:26 |
57. |
Mia speranza adorata. Ah, non sai qual pena, K. 416 (featuring Claudio Abbado, Berliner Philharmoniker, Christine Schäfer / Christine Schafer) |
8:50 |
58. |
Così dunque tradisci. Aspri rimorsi atroci, K. 432 (featuring Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras) |
4:02 |
59. |
Misero! O Sogno, K. 431 (featuring Rolando Villazón / Rolando Villazon, Antonio Pappano, London Symphony Orchestra) |
3:33 |
60. |
Aura, che intorno spiri, K. 431 (featuring Rolando Villazón / Rolando Villazon, Antonio Pappano, London Symphony Orchestra) |
7:22 |
61. |
Ch'io mi scordi di te. Non temer, amato bene, K. 505 (featuring Cecilia Bartoli, András Schiff / Andras Schiff, György Fischer / Gyorgy Fischer, Wiener Kammerorchester) |
10:18 |
62. |
Alcandro, lo confesso. Non so d'onde viene, K. 512 (featuring Robert Lloyd, Mozarteum - Orchester Salzburg, Leopold Hager) |
7:21 |
63. |
Bella mia fiamma, addio. Resta, oh cara, K. 528 (featuring Kiri Te Kanawa, Vienna Chamber Orchestra, György Fischer / Gyorgy Fischer) |
9:13 |
64. |
Ah se in ciel, benigne stelle, K. 538 (featuring Edita Gruberova, Mozarteum - Orchester Salzburg, Leopold Hager) |
7:34 |
65. |
Ein Deutsches Kriegslied: Ich möchte wohl der Kaiser sein, K. 539 (featuring Walter Berry, Mozarteum - Orchester Salzburg, Leopold Hager) |
2:13 |
66. |
Per questa bella mano, K. 612 (featuring Ildebrando D'Arcangelo, Orchestra Del Teatro Regio Di Torino, Gianandrea Noseda, Davide Ghio) |
6:54 |