Nine Types of Ambiguity
Download links and information about Nine Types of Ambiguity by Vert. This album was released in 2001 and it belongs to Electronica, Industrial, Rock genres. It contains 9 tracks with total duration of 54:32 minutes.
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| Artist: | Vert |
| Release date: | 2001 |
| Genre: | Electronica, Industrial, Rock |
| Tracks: | 9 |
| Duration: | 54:32 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Blindsight | 4:51 |
| 2. | This Precious Meanwhile | 4:30 |
| 3. | Codfish Dada | 6:07 |
| 4. | The Tide Comes In and Then the Tide Goes Out | 4:57 |
| 5. | Somewhere Between Here and Last Week | 3:20 |
| 6. | To Doo Is to Be | 7:47 |
| 7. | Drawers of Water | 5:04 |
| 8. | Last Night from a Bus I Saw | 7:45 |
| 9. | Scope / Lifetime | 10:11 |
Details
[Edit]Very different from his album debut, Nine Types of Ambiguity reveals Vert as a rhythm-driven sound obsessive with a melodic heart. The digitally stretched tones and clicks that begin the first track "Blindsight" seem the sort of thing that would open an Oval album, but a warm bassline and playful drum programming fall in and establish Vert's pop agenda. This mood is carried forward with "Codfish Dada," which combines a wooden xylophone, toy keyboards, and assorted digital percussion into a wide-eyed soundworld. The rousing "To Doo Is to Be" is streetwise funk updated, Miles Davis "On the Corner" in a virtual neighborhood. The tracks that back away from the beats also work, as Vert is skilled with subtle ambient textures. With Eno-esque drones and persistent piano, "Last Night From a Bus I Saw" recalls Labradford, while the hurdy-gurdy organ melody on "Somewhere Between Here and Last Week" is reminiscent of Nobukazu Takemura. Nine Types of Ambiguity is a diverse album loaded with imagination.