Pure Bossa Nova: Vinicius de Moraes
Download links and information about Pure Bossa Nova: Vinicius de Moraes by Vinicius De Moraes. This album was released in 2006 and it belongs to Jazz, Salsa, World Music, Latin genres. It contains 14 tracks with total duration of 47:17 minutes.
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| Artist: | Vinicius De Moraes |
| Release date: | 2006 |
| Genre: | Jazz, Salsa, World Music, Latin |
| Tracks: | 14 |
| Duration: | 47:17 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Minha Namorada (Live) (featuring Quarteto Em Cy) | 4:05 |
| 2. | Chega de Saudade (Live 1992) (featuring Caetano Veloso) | 1:50 |
| 3. | Canto de Ossanha (featuring Elis Regina) | 3:25 |
| 4. | Água de Beber (1963 Version) (featuring Antonio Carlos Jobim) | 2:49 |
| 5. | Insensatez (featuring Sylvia Telles) | 3:58 |
| 6. | Sabe Você (featuring Os Cariocas) | 3:19 |
| 7. | Samba da Volta (featuring Toquinho) | 2:53 |
| 8. | Samba Em Preludio (featuring Odette Lara) | 3:32 |
| 9. | Samba de Orly (Samba de Fiumicino) (featuring Chico Buarque, Toquinho) | 2:37 |
| 10. | Pra Que Chorar (featuring Alcione) | 3:09 |
| 11. | Ela é Carioca (featuring Os Cariocas) | 2:34 |
| 12. | Se Todos Fossem Iguais á Você (featuring Agostinho Dos Santos) | 3:39 |
| 13. | Samba da Benção | 6:49 |
| 14. | Carta Ao Tom 74 (featuring Toquinho) | 2:38 |
Details
[Edit]Verve's Pure Bossa Nova series has, for its volumes on songwriters, billed the collections as "A View on the Music Of...." As with any other great songwriter, the work of poet and composer Vinicius de Moraes has traveled far, over several rocky roads that can't be blamed on the trails of the composer himself. Fortunately, Verve and its parent Universal possess a license for most of the best Brazilian music ever recorded, not just on Verve but also on Philips, making this volume an excellent — though rather brief — look at one of the five best composers in Brazilian history. His work is in good hands as well, interpreted by Elis Regina in the case of an effusive "Canto de Ossanha" from 1969, Antonio Carlos Jobim in "Agua de Beber" from an instrumental LP of 1963, Caetano Veloso in a live version of "Chega de Saudade" from 1992, and de Moraes' own versions of several tracks (as part of his early-'70s-and-on partnership with Toquinho). Also worthy of hearing are the beautiful tenor harmonies on Os Cariocas' "Ela e Carioca" and "Sabe Voce."