16 Biggest Hits: Waylon Jennings
Download links and information about 16 Biggest Hits: Waylon Jennings by Waylon Jennings. This album was released in 2005 and it belongs to Country, Outlaw Country genres. It contains 16 tracks with total duration of 48:10 minutes.
Artist: | Waylon Jennings |
---|---|
Release date: | 2005 |
Genre: | Country, Outlaw Country |
Tracks: | 16 |
Duration: | 48:10 |
Buy it NOW at: | |
Buy on iTunes $9.99 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | This Time | 2:25 |
2. | I'm a Ramblin' Man | 2:48 |
3. | Rainy Day Woman (Live) | 2:33 |
4. | Are You Sure Hank Done It This Way | 2:55 |
5. | Good Hearted Woman (featuring Willie Nelson) | 2:59 |
6. | Luckenbach, Texas (Back to the Basics of Love) | 3:20 |
7. | The Wurlitzer Prize (I Don't Want to Get Over You) | 2:08 |
8. | Mammas Don't Let Your Babies Grow Up to Be Cowboys (featuring Willie Nelson) | 2:34 |
9. | I've Always Been Crazy | 4:13 |
10. | Amanda | 3:01 |
11. | Come With Me | 3:01 |
12. | I Ain't Living Long Like This | 4:47 |
13. | Theme from the Dukes of Hazzard (Good Ol' Boys) | 2:09 |
14. | Just to Satisfy You (featuring Willie Nelson) | 2:49 |
15. | Lucille (You Won't Do Your Daddy's Will) | 3:28 |
16. | Drinkin' and Dreamin' | 3:00 |
Details
[Edit]Waylon Jennings' baritone voice was capable of both booming force and deep tenderness, and his music boasted tight, propulsive rhythms and spectacular group interplay. And though best-known as a master interpreter with uncanny taste in material, he also penned a few diamonds of his own. 16 Biggest Hits is a worthwhile introduction to Hoss’s music and style, focusing primarily on his halcyon mid-‘70s Outlaw days. Songs like “I’m a Ramblin’ Man,” “Are You Sure Hank Done It This Way,” and “Ain’t Livin’ Long Like This” are quintessential Outlaw Waylon tracks — insistent, defiant, and full of forward momentum. Yet, on tracks like the beautiful, heartfelt “Amanda,” Jennings proves himself to be a sincere, touching balladeer. On the Jennings original “This Time,” he forges a winning blend of both styles, and his co-written duet with Willie Nelson, “Good Hearted Woman,” exudes joy. This compilation merely scratches the surface, forgoing not only the best of his ‘60s work, but also a raft of incredible cuts from the 1970s, a time when Jennings was pumping out classic LP after classic LP. But if you’re looking to discover the Jennings sound for the first time, this will suit you fine.