|
No. |
Title |
Length |
| 1. |
String Quintet in C, D.956: 1. Allegro ma non troppo (Vienna Konzerthaus Quartet, Gunther Weiss) |
16:27 |
| 2. |
String Quintet in C, D.956: 2. Adagio (Vienna Konzerthaus Quartet, Gunther Weiss) |
15:20 |
| 3. |
String Quintet in C, D.956: 3. Scherzo (Presto) - Trio (Andante sostenuto) (Vienna Konzerthaus Quartet, Gunther Weiss) |
10:20 |
| 4. |
String Quintet in C, D.956: 4. Allegretto (Vienna Konzerthaus Quartet, Gunther Weiss) |
9:29 |
| 5. |
Octet in F, D.803: 1. Adagio - Allegro (Vienna Konzerthaus Quartet, Leopold Wlach, Karl Oehlberger, Gottfried Von Freiberg, Hermann Josef Dahmen) |
11:50 |
| 6. |
Octet in F, D.803: 2. Adagio (Vienna Konzerthaus Quartet, Leopold Wlach, Karl Oehlberger, Gottfried Von Freiberg, Hermann Josef Dahmen) |
12:02 |
| 7. |
Octet in F, D.803: 3. Allegro vivace (Vienna Konzerthaus Quartet, Leopold Wlach, Karl Oehlberger, Gottfried Von Freiberg, Hermann Josef Dahmen) |
5:10 |
| 8. |
Octet in F, D.803: 4. Thema. Andante - Var. I - VII (Vienna Konzerthaus Quartet, Leopold Wlach, Karl Oehlberger, Gottfried Von Freiberg, Hermann Josef Dahmen) |
8:35 |
| 9. |
Octet in F, D.803: 5. Menuetto (Vienna Konzerthaus Quartet, Leopold Wlach, Karl Oehlberger, Gottfried Von Freiberg, Hermann Josef Dahmen) |
6:15 |
| 10. |
Octet in F, D.803: 6. Andante molto - Allegro (Vienna Konzerthaus Quartet, Leopold Wlach, Karl Oehlberger, Gottfried Von Freiberg, Hermann Josef Dahmen) |
9:34 |
| 11. |
Octet in E-Flat, Op. 20: 1. Allegro moderato, ma con fuoco (Smetana Quartet, Janacek Quartet) |
15:01 |
| 12. |
Octet in E-Flat, Op. 20: 2. Andante (Smetana Quartet, Janacek Quartet) |
8:11 |
| 13. |
Octet in E-Flat, Op. 20: 3. Scherzo (Allegro leggierissimo) (Smetana Quartet, Janacek Quartet) |
4:45 |
| 14. |
Octet in E-Flat, Op. 20: 4. Presto (Smetana Quartet, Janacek Quartet) |
6:05 |
| 15. |
String Quartet No. 8 in E Minor, Op. 59 No. 2 -"Rasumovsky No. 2": 1. Allegro (Janacek Quartet) |
9:40 |
| 16. |
String Quartet No. 8 in E Minor, Op. 59 No. 2 -"Rasumovsky No. 2": 2. Molto adagio (Janacek Quartet) |
13:52 |
| 17. |
String Quartet No. 8 in E Minor, Op. 59 No. 2 -"Rasumovsky No. 2": 3. Allegretto (Janacek Quartet) |
8:32 |
| 18. |
String Quartet No. 8 in E Minor, Op. 59 No. 2 -"Rasumovsky No. 2": 4. Finale (Presto) (Janacek Quartet) |
5:50 |
| 19. |
String Sextet in A Major, Op. 48: 1. Allegro moderato (Wolfgang Herzer, European String Quartet) |
10:03 |
| 20. |
String Sextet in A Major, Op. 48: 2. Dumka (Elegie): Poco allegretto (Wolfgang Herzer, European String Quartet) |
6:32 |
| 21. |
String Sextet in A Major, Op. 48: 3. Furiant (Presto) (Wolfgang Herzer, European String Quartet) |
4:38 |
| 22. |
String Sextet in A Major, Op. 48: 4. Finale (Tema con variazioni: Allegretto grazioso, quasi andantino) (Wolfgang Herzer, European String Quartet) |
7:20 |
| 23. |
String Quintet in E-Flat, Op. 97: 1. Allegro non tanto (European String Quartet) |
6:45 |
| 24. |
String Quintet in E-Flat, Op. 97: 2. Allegro vivo (European String Quartet) |
5:43 |
| 25. |
String Quintet in E-Flat, Op. 97: 3. Larghetto (European String Quartet) |
10:07 |
| 26. |
String Quintet in E-Flat, Op. 97: 4. Finale (Allegro giusto) (European String Quartet) |
7:30 |
| 27. |
Piano Sonata No. 8 in C Minor, Op. 13 -"Pathétique": 1. Grave - Allegro di molto e con brio (Egon Petri) |
8:31 |
| 28. |
Piano Sonata No. 8 in C Minor, Op. 13 -"Pathétique": 2. Adagio cantabile (Egon Petri) |
4:48 |
| 29. |
Piano Sonata No. 8 in C Minor, Op. 13 -"Pathétique": 3. Rondo (Allegro) (Egon Petri) |
3:59 |
| 30. |
Piano Sonata No. 23 in F Minor, Op. 57 -"Appassionata": 1. Allegro assai (Egon Petri) |
8:42 |
| 31. |
Piano Sonata No. 23 in F Minor, Op. 57 -"Appassionata": 2. Andante con moto (Egon Petri) |
6:21 |
| 32. |
Piano Sonata No. 23 in F Minor, Op. 57 -"Appassionata": 3. Allegro ma non troppo (Egon Petri) |
5:11 |
| 33. |
Piano Sonata No. 29 in B fFat, Op. 106 -"Hammerklavier": 1. Allegro (Egon Petri) |
10:22 |
| 34. |
Piano Sonata No. 29 in B-Flat, Op. 106 -"Hammerklavier": 2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) (Egon Petri) |
2:46 |
| 35. |
Piano Sonata No. 29 in B-Flat, Op. 106 -"Hammerklavier": 3. Adagio sostenuto (Egon Petri) |
14:22 |
| 36. |
Piano Sonata No. 29 in B-Flat, Op. 106 -"Hammerklavier": 4. Largo - Allegro risoluto (Egon Petri) |
11:16 |
| 37. |
Fantasia For Piano in C, D.760 (, Op. 15) "Wanderer-Fantasie": 1. Allegro con fuoco, ma non troppo (Paul Badura - Skoda) |
6:02 |
| 38. |
Fantasia For Piano in C, D.760 (, Op. 15) "Wanderer-Fantasie": 2. Adagio (Paul Badura - Skoda) |
6:47 |
| 39. |
Fantasia For Piano in C, D.760 (, Op. 15) "Wanderer-Fantasie": 3. Presto (Paul Badura - Skoda) |
4:50 |
| 40. |
Fantasia For Piano in C, D.760 (, Op. 15) "Wanderer-Fantasie": 4. Allegro (Paul Badura - Skoda) |
3:38 |
| 41. |
6 Moments musicaux, Op. 94 D.780: No. 1 in C (Moderato) (Paul Badura - Skoda) |
4:26 |
| 42. |
6 Moments musicaux, Op. 94 D.780: No. 2 in A-Flat (Andantino) (Paul Badura - Skoda) |
6:11 |
| 43. |
6 Moments musicaux, Op. 94 D.780: No. 3 in F Minor (Allegro moderato) (Paul Badura - Skoda) |
1:56 |
| 44. |
6 Moments musicaux, Op. 94 D.780: No. 4 in C-Sharp Minor (Moderato) (Paul Badura - Skoda) |
5:05 |
| 45. |
6 Moments musicaux, Op. 94 D.780: No. 5 in F Minor (Allegro vivace) (Paul Badura - Skoda) |
2:19 |
| 46. |
6 Moments musicaux, Op. 94 D.780: No. 6 in A-Flat (Allegretto) (Paul Badura - Skoda) |
6:36 |
| 47. |
4 Impromptus, Op. 90, D.899: No. 1 in C Minor: Allegro molto moderato (Paul Badura - Skoda) |
9:08 |
| 48. |
4 Impromptus, Op. 90, D.899: No. 2 in E-Flat: Allegro (Paul Badura - Skoda) |
4:33 |
| 49. |
4 Impromptus, Op. 90, D.899: No. 3 in G-Flat: Andante (Paul Badura - Skoda) |
5:16 |
| 50. |
4 Impromptus, Op. 90, D.899: No. 4 in A-Flat: Allegretto (Paul Badura - Skoda) |
7:12 |
| 51. |
Prélude, Chorale et Fugue: Prélude (Jörg Demus / Jorg Demus) |
5:01 |
| 52. |
Prélude, Chorale et Fugue: Chorale (Jörg Demus / Jorg Demus) |
5:36 |
| 53. |
Prélude, Chorale et Fugue: Fugue (Jörg Demus / Jorg Demus) |
9:15 |
| 54. |
Prélude, Aria et Final: Prélude (Jörg Demus / Jorg Demus) |
8:46 |
| 55. |
Prélude, Aria et Final: Aria (Jörg Demus / Jorg Demus) |
6:26 |
| 56. |
Prélude, Aria et Final: Final (Jörg Demus / Jorg Demus) |
7:08 |
| 57. |
Impromptus No. 2, Op. 31 (Jörg Demus / Jorg Demus) |
4:09 |
| 58. |
Impromptus No. 4, Op. 91 (Jörg Demus / Jorg Demus) |
4:46 |
| 59. |
Impromptus No. 5, Op. 102 (Jörg Demus / Jorg Demus) |
2:23 |
| 60. |
Thème et variations, Op. 73 (Jörg Demus / Jorg Demus) |
13:28 |
| 61. |
Barcarolle No. 6, Op. 70 (Jörg Demus / Jorg Demus) |
3:43 |
| 62. |
Nocturne No. 6 (Jörg Demus / Jorg Demus) |
8:49 |
| 63. |
Sonata For Guitar in C, Op. 22: 3. Menuetto (Julian Bream) |
3:49 |
| 64. |
Sonata For Guitar in C, Op. 22: 4. Rondo (Allegretto) (Julian Bream) |
4:31 |
| 65. |
Six Short Pieces, Op. 5: 5. Andante Largo (Julian Bream) |
4:33 |
| 66. |
Etudes For Guitar, Op. 31: No. 20 in A Minor (Julian Bream) |
1:11 |
| 67. |
Estudio in B Minor (Julian Bream) |
2:03 |
| 68. |
Estudio in A Major (Julian Bream) |
1:45 |
| 69. |
Fantasia: Largo (Julian Bream) |
6:24 |
| 70. |
Homenaje a Tárrega: 1. Garrotin (Julian Bream) |
2:30 |
| 71. |
Homenaje a Tárrega: 2. Soleares (Julian Bream) |
2:10 |
| 72. |
Fandanguillo, Op. 36 (Julian Bream) |
5:26 |
| 73. |
Ráfaga, Op. 53 (Julian Bream) |
2:48 |
| 74. |
Homenaje "Le tombeau de Debussy" (Julian Bream) |
3:47 |
| 75. |
5 Preludes: No. 1 in E Minor (Julian Bream) |
4:21 |
| 76. |
5 Preludes: No. 2 in E (Julian Bream) |
2:44 |
| 77. |
5 Preludes: No. 3 in A Minor (Julian Bream) |
6:23 |
| 78. |
5 Preludes: No. 4 in E Minor (Julian Bream) |
3:30 |
| 79. |
5 Preludes: No. 5 in D (Julian Bream) |
3:43 |
| 80. |
Preludio (Julian Bream) |
1:52 |
| 81. |
Sonatina: 2. Andante (Julian Bream) |
4:14 |
| 82. |
Sonatina: 3. Allegro (Julian Bream) |
3:56 |
| 83. |
Burgalesa (Julian Bream) |
3:11 |
| 84. |
Frauenliebe und -leben, Op. 42: 1. Seit ich ihn gesehen (Sena Jurinac) |
2:33 |
| 85. |
Frauenliebe und -leben, Op. 42: 2. Er, der Herrlichste von allen (Sena Jurinac) |
2:55 |
| 86. |
Frauenliebe und -leben, Op. 42: 3. Ich kann's nicht fassen, nicht glauben (Sena Jurinac) |
1:42 |
| 87. |
Frauenliebe und -leben, Op. 42: 4. Du Ring an meinem Finger (Sena Jurinac) |
3:02 |
| 88. |
Frauenliebe und -leben, Op. 42: 5. Helft mir, ihr Schwestern (Sena Jurinac) |
1:53 |
| 89. |
Frauenliebe und -leben, Op. 42: 6. Süsser Freund, du blickest mich verwundert an (Sena Jurinac) |
4:51 |
| 90. |
Frauenliebe und -leben, Op. 42: 7. An meinem Herzen, an meiner Brust (Sena Jurinac) |
1:16 |
| 91. |
Frauenliebe und -leben, Op. 42: 8. Nun hast du mir den ersten Schmerz getan (Sena Jurinac) |
4:01 |
| 92. |
Liederkreis, Op. 39: in der Fremde (Sena Jurinac) |
2:10 |
| 93. |
Liederkreis, Op. 39: Intermezzo (Sena Jurinac) |
2:02 |
| 94. |
Liederkreis, Op. 39: Waldesgespräch (Sena Jurinac) |
2:00 |
| 95. |
Liederkreis, Op. 39: Die Stille (Sena Jurinac) |
1:22 |
| 96. |
Liederkreis, Op. 39: Mondnacht (Sena Jurinac) |
4:03 |
| 97. |
Liederkreis, Op. 39: Schöne Fremde (Sena Jurinac) |
1:20 |
| 98. |
Liederkreis, Op. 39: Auf einer Burg (Sena Jurinac) |
2:48 |
| 99. |
Liederkreis, Op. 39: in der Fremde ("Ich hör die Bachlein rauschen") (Sena Jurinac) |
1:41 |
| 100. |
Liederkreis, Op. 39: Wehmut (Sena Jurinac) |
2:31 |
| 101. |
Liederkreis, Op. 39: Zwielicht (Sena Jurinac) |
3:27 |
| 102. |
Liederkreis, Op. 39: Im Walde (Sena Jurinac) |
1:27 |
| 103. |
Liederkreis, Op. 39: Frühlingsnacht (Sena Jurinac) |
1:06 |
| 104. |
Il tramonto - Version For Soprano And String Quartet (Sena Jurinac, Barylli Quartet) |
18:21 |
| 105. |
L Invitation Au Voyage (Leopold Simoneau) |
3:59 |
| 106. |
La vie antérieure (Leopold Simoneau) |
4:48 |
| 107. |
Extase (Leopold Simoneau) |
3:35 |
| 108. |
Testament (Leopold Simoneau) |
3:44 |
| 109. |
Sérénade florentine (Leopold Simoneau) |
2:30 |
| 110. |
Le manoir de Rosemonde (Leopold Simoneau) |
2:51 |
| 111. |
La vague et la cloche (Leopold Simoneau) |
5:37 |
| 112. |
Lamento (Leopold Simoneau) |
3:48 |
| 113. |
Élégie (Leopold Simoneau) |
3:37 |
| 114. |
Phidylé (Leopold Simoneau) |
5:38 |
| 115. |
Chanson triste (Leopold Simoneau) |
3:32 |
| 116. |
Serenade (Leopold Simoneau) |
2:46 |
| 117. |
Soupir (Leopold Simoneau) |
3:51 |
| 118. |
Au Pays Ou Se Fait La Guerre (Leopold Simoneau) |
5:00 |
| 119. |
Christus am Oelberge (Christ On The Mount Of Olives): Introduktion. Grave - Adagio (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
6:45 |
| 120. |
Christus am Oelberge (Christ on the Mount of Olives): Rezitativ: "Jehova, du mein Vater!" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
4:51 |
| 121. |
Christus am Oelberge (Christ on the Mount of Olives): Arie: "Meine Seele ist erschüttert" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
5:23 |
| 122. |
Christus am Oelberge (Christ on the Mount of Olives): Rezitativ: "Erzittre, Erde" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
1:48 |
| 123. |
Christus am Oelberge (Christ on the Mount of Olives): Arie: "Preist des Erlösers Güte" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
3:33 |
| 124. |
Christus am Oelberge (Christ on the Mount of Olives): Chor der Engel: " O Heil euch, ihr Erlösten" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
6:19 |
| 125. |
Christus am Oelberge (Christ on the Mount of Olives): Rezitativ: "Verkündet, Seraph, mir dein Mund Erbarmen" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
1:36 |
| 126. |
Christus am Oelberge (Christ on the Mount of Olives): Duett: "So ruhe denn mit ganzer Schwere" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
6:39 |
| 127. |
Christus am Oelberge (Christ on the Mount of Olives): Rezitativ: "Willkommen, Tod" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
1:28 |
| 128. |
Christus am Oelberge (Christ on the Mount of Olives): Chor der Krieger: "Wir haben ihn gesehen" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
2:26 |
| 129. |
Christus am Oelberge (Christ on the Mount of Olives): Rezitativ: "Die mich zu fangen ausgezogen sind" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
2:00 |
| 130. |
Christus am Oelberge (Christ on the Mount of Olives): Chor der Krieger: "Hier ist er, der Verbannte" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Chamber Choir) |
2:04 |
| 131. |
Christus am Oelberge (Christ on the Mount of Olives): Rezitativ: "Nicht ungestraft soll der Verweg'nen" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
1:45 |
| 132. |
Christus am Oelberge (Christ on the Mount of Olives): Terzett: "In meinen Adern wühlen gerechter Zorn" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
9:00 |
| 133. |
Christus am Oelberge (Christ on the Mount of Olives): Chor der Engel: "Welten singen Dank und Ehre" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
1:09 |
| 134. |
Christus am Oelberge (Christ on the Mount of Olives): Chor: "Preiset ihn, ihr Engelchöre" (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
4:03 |
| 135. |
An Chloë, K524 (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
2:48 |
| 136. |
Oiseaux, si tous les ans K307/K284d (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
1:30 |
| 137. |
Ridente la calma K152 (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
3:34 |
| 138. |
Le nozze di Figaro, K. 492, Act II: "Un moto di gioia" (Alternative Aria) (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
1:55 |
| 139. |
Das Veilchen K. 476 (Maria Stader, Otto Wiener, Jan Peerce, Hermann Scherchen, Vienna Academy Choir) |
2:37 |
| 140. |
Mass in B Minor, BWV 232 / Kyrie: Kyrie Eleison (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
14:49 |
| 141. |
Mass in B Minor, BWV 232 / Kyrie: Christe eleison (Nan Merriman, Pierrette Alarie, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
4:51 |
| 142. |
Mass in B Minor, BWV 232 / Kyrie: Kyrie eleison (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
5:24 |
| 143. |
Mass in B Minor, BWV 232 / Gloria: Gloria in excelsis Deo (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
1:56 |
| 144. |
Mass in B Minor, BWV 232 / Gloria: Et in terra pax (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
5:23 |
| 145. |
Mass in B Minor, BWV 232 / Gloria: Laudamus te (Nan Merriman, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
4:46 |
| 146. |
Mass in B Minor, BWV 232/ Gloria: Gratias agimus tibi (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
3:20 |
| 147. |
Mass in B Minor, BWV 232 / Gloria: Domine Deus (Leopold Simoneau, Pierrette Alarie, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
5:45 |
| 148. |
Mass in B Minor, BWV 232 / Gloria: Qui tollis peccata mundi (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
4:52 |
| 149. |
Mass in B Minor, BWV 232/ Gloria: Qui sedes ad dexteram Patris (Nan Merriman, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
5:02 |
| 150. |
Mass in B Minor, BWV 232 / Gloria: Quoniam tu solus sanctus (Gustav Neidlinger, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
6:07 |
| 151. |
Mass in B Minor, BWV 232 / Gloria: Cum Sancto Spiritu (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
4:46 |
| 152. |
Mass in B Minor, BWV 232 / Credo: Credo in unum Deum (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
2:03 |
| 153. |
Mass in B Minor, BWV 232 / Credo: Patrem omnipotentem (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
2:46 |
| 154. |
Mass in B Minor, BWV 232 / Credo: Et in unum Dominum (Nan Merriman, Pierrette Alarie, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
4:28 |
| 155. |
Mass in B Minor, BWV 232 / Credo: Et incarnatus est (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
4:26 |
| 156. |
Mass in B Minor, BWV 232 / Credo: Crucifixus (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
5:09 |
| 157. |
Mass in B Minor, BWV 232 / Credo: Et resurrexit (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
4:00 |
| 158. |
Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum (Gustav Neidlinger, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
5:46 |
| 159. |
Mass in B Minor, BWV 232 / Credo: Confiteor unum baptisma (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
7:20 |
| 160. |
Mass in B Minor, BWV 232 / Credo: Et expecto resurrectionem (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
1:54 |
| 161. |
Mass in B Minor, BWV 232 / Sanctus: Sanctus (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
7:14 |
| 162. |
Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
2:50 |
| 163. |
Mass in B Minor, BWV 232 / Sanctus: Benedictus (Leopold Simoneau, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
7:10 |
| 164. |
Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
2:50 |
| 165. |
Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei (Nan Merriman, Orchester Der Wiener Staatsoper, Hermann Scherchen) |
5:29 |
| 166. |
Mass in B Minor, BWV 232 / Agnus Dei: Dona nobis pacem (Orchester Der Wiener Staatsoper, Wiener Akademie Kammerchor, Hermann Scherchen) |
3:59 |
| 167. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 1. Introitus: Requiem (Sena Jurinac, Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
7:03 |
| 168. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 2. Kyrie (Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
3:12 |
| 169. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 3. Sequentia: Dies irae (Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
1:43 |
| 170. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 3. Sequentia: Tuba mirum (Sena Jurinac, Orchester Der Wiener Staatsoper, Frederick Guthrie, Lucretia West, Hans Loeffler, Hermann Scherchen) |
5:13 |
| 171. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 3. Sequentia: Rex tremendae (Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
1:56 |
| 172. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 3. Sequentia: Recordare (Sena Jurinac, Orchester Der Wiener Staatsoper, Frederick Guthrie, Lucretia West, Hans Loeffler, Hermann Scherchen) |
7:27 |
| 173. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 3. Sequentia: Confutatis (Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
3:13 |
| 174. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 3. Sequentia: Lacrimosa (Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
2:46 |
| 175. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 4. Offertorium: Domine Jesu (Sena Jurinac, Orchester Der Wiener Staatsoper, Frederick Guthrie, Lucretia West, Hans Loeffler, Hermann Scherchen, Vienna Academy Chamber Choir) |
4:56 |
| 176. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 4. Offertorium: Hostias (Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
4:16 |
| 177. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 5. Sanctus (Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
1:30 |
| 178. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 6. Benedictus (Sena Jurinac, Orchester Der Wiener Staatsoper, Frederick Guthrie, Lucretia West, Hans Loeffler, Hermann Scherchen) |
7:59 |
| 179. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 7. Agnus Dei (Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
4:33 |
| 180. |
Requiem in D Minor, K. 626 (Compl. By Franz Xaver Süssmayer): 8.Communio: Lux aeterna (Sena Jurinac, Orchester Der Wiener Staatsoper, Hermann Scherchen, Vienna Academy Chamber Choir) |
7:29 |
| 181. |
Rodelinda: Ouverture (ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
2:51 |
| 182. |
Rodelinda: Menuet (ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
1:44 |
| 183. |
Rodelinda: No. 1 Aria: "Ho perduto il caro sposo" (Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
5:27 |
| 184. |
Rodelinda: Recitativo: "Regina?/Grimoaldo, nel mio presente stato" (Teresa Stich - Randall, Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
1:08 |
| 185. |
Rodelinda: No. 2 Aria: "L'empio rigor del fato" (Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
4:32 |
| 186. |
Rodelinda: Recitativo: "E tanto, da che sei re" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
0:37 |
| 187. |
Rodelinda: No. 3 Aria: "Io già t'amai" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
3:30 |
| 188. |
Rodelinda: Recitativo: "E tu dici d'amarmi?" (ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
0:38 |
| 189. |
Rodelinda: No. 4 Aria: "Lo farò, dirò: spietato" (ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
4:16 |
| 190. |
Rodelinda: Recitativo: "Eduige, t'inganni" (ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
0:17 |
| 191. |
Rodelinda: No. 5 Aria: "Di Cupido impiego i vanni" (ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
4:30 |
| 192. |
Rodelinda: No. 6 Sinfonia ed Accompagnato: "Pompe vane di morte" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
1:50 |
| 193. |
Rodelinda: No. 7 Aria: "Dove sei, amato bene?" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
5:05 |
| 194. |
Rodelinda: Recitativo: "Ma giunge Unulfo, oh Dio!" (Helen Watts, Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
0:58 |
| 195. |
Rodelinda: No. 8 Aria: "Ombre, piante, urne funeste" (Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
6:45 |
| 196. |
Rodelinda: No. 9 Accompagnato e Recitativo: "Ombra del mio bel sol - Deh, lascia!/ No., signor" (Helen Watts, Maureen Forrester, Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
0:55 |
| 197. |
Rodelinda: Recitativo: "Baci inutili e vani" (Helen Watts, Maureen Forrester, Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
2:02 |
| 198. |
Rodelinda: No. 10 Aria: "Morrai, sì; l'empia tua testa" (Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
3:42 |
| 199. |
Rodelinda: Recitativo: E ben, duca, poss'io all'ardor" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
0:45 |
| 200. |
Rodelinda: No. 11 Aria: "Se per te giungo a godere" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
3:22 |
| 201. |
Rodelinda: No. 12 Accompagnato: "Sì, l'infida consorte" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
0:26 |
| 202. |
Rodelinda: No. 13 Aria: "Confusa si miri" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
2:41 |
| 203. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: "Già perdesti.Rodelinda, sì mesta ritorni" (ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman, John Boyden) |
1:12 |
| 204. |
Rodelinda - Rodelinda: Atto Secondo: No. 14 Aria: "De' miei scherni per far le vendette" (ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
5:50 |
| 205. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: Rodelinda, è pur ver?" (Helen Watts, Teresa Stich - Randall, Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
1:53 |
| 206. |
Rodelinda - Rodelinda: Atto Secondo: No. 15 Aria: Spietati, io vi giurai" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
4:28 |
| 207. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: Unulfo, Garibaldo, in questo seno" (Helen Watts, Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
0:32 |
| 208. |
Rodelinda - Rodelinda: Atto Secondo: No. 16 Aria: "Prigioniera ho l'alma in pena" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
4:57 |
| 209. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: "Massime così indegne" (Helen Watts, ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
0:35 |
| 210. |
Rodelinda - Rodelinda: Atto Secondo: No. 17 Aria: "Tirannia gli diede il regno" (ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
3:06 |
| 211. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: "Perché con soli intanto l'afflitto" (Helen Watts, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
0:24 |
| 212. |
Rodelinda - Rodelinda: Atto Secondo: No. 18 Aria: "Fra tempeste funeste" (Helen Watts, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
3:51 |
| 213. |
Rodelinda - Rodelinda: Atto Secondo: No. 19 Aria e Recitativo: "Con rauco mormorio - Dell'estinto germano" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
5:56 |
| 214. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: "Ah no, che non m'inganna" (Helen Watts, Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
1:59 |
| 215. |
Rodelinda - Rodelinda: Atto Secondo: No. 20 Aria: "Scacciata dal suo nido" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
2:09 |
| 216. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: "Vive il mio sposo?" (Helen Watts, Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
0:41 |
| 217. |
Rodelinda - Rodelinda: Atto Secondo: No. 21 Aria: "Ritorna, o caro e dolce mio tesoro" (Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
4:07 |
| 218. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: "Ah sì! ecco lo sposo!" (Maureen Forrester, Teresa Stich - Randall, Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
2:12 |
| 219. |
Rodelinda - Rodelinda: Atto Secondo: No. 22 Aria: "Tuo drudo è mio rivale" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
3:20 |
| 220. |
Rodelinda - Rodelinda: Atto Secondo: Recitativo: "Non ti bastò, consorte" (Maureen Forrester, Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
0:54 |
| 221. |
Rodelinda - Rodelinda: Atto Secondo: No. 23 Duetto: "Io t'abbraccio" (Maureen Forrester, Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
6:28 |
| 222. |
Rodelinda - Rodelinda: Atto Terzo: Recitativo: "Del german nel periglio" (Helen Watts, ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
1:14 |
| 223. |
Rodelinda - Rodelinda: Atto Terzo: No. 24 Aria: "Un zeffiro spirò" (Helen Watts, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
5:17 |
| 224. |
Rodelinda - Rodelinda: Atto Terzo: Recitativo: "Con opra giusta io cancellar disegno" (ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
0:21 |
| 225. |
Rodelinda - Rodelinda: Atto Terzo: No. 25 Aria: "Quanto più fiera tempesta freme" (ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman) |
4:12 |
| 226. |
Rodelinda - Rodelinda: Atto Terzo: Recitativo: "O falso è Bertarido o fu mendace" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
1:11 |
| 227. |
Rodelinda - Rodelinda: Atto Terzo: No. 26 Aria: "Tra sospetti, affetti e timori" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
5:21 |
| 228. |
Rodelinda - Rodelinda: Atto Terzo: No. 27 Arioso: "Chi di voi fu più infedele" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
3:06 |
| 229. |
Rodelinda - Rodelinda: Atto Terzo: No. 28 Accompagnato e Recitativo: "Ma non so che dal remoto balcon.Non temere. Signore? Germano?" (Helen Watts, Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
3:39 |
| 230. |
Rodelinda - Rodelinda: Atto Terzo: No. 29 Aria: "Se 'l mio duol non è si forte" (Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
6:23 |
| 231. |
Rodelinda - Rodelinda: Atto Terzo: Recitativo: "Amico, ah! che a me duole" (Helen Watts, Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
1:01 |
| 232. |
Rodelinda - Rodelinda: Atto Terzo: No. 30 Aria: "Se fiera belva ha cinto" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
5:34 |
| 233. |
Rodelinda - Rodelinda: Atto Terzo: No. 31 Accompagnato: "Fatto inferno è il mio petto" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
2:45 |
| 234. |
Rodelinda - Rodelinda: Atto Terzo: No. 32 Aria: "Pastorello d'un povero armento" (Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
4:30 |
| 235. |
Rodelinda - Rodelinda: Atto Terzo: Recitativo: "Che miro? Amica sorte.Ecco ti innanzi il reo" (Maureen Forrester, Teresa Stich - Randall, Alexander Young, ORF Symphonieorchester, Martin Isepp, Brian Priestman, John Boyden) |
2:57 |
| 236. |
Rodelinda - Rodelinda: Atto Terzo: No. 33 Aria: "Mio caro bene" (Teresa Stich - Randall, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
3:38 |
| 237. |
Rodelinda - Rodelinda: Atto Terzo: Recitativo: "Sposa, figlio, sorella, amici" (Maureen Forrester, ORF Symphonieorchester, Martin Isepp, Brian Priestman) |
0:27 |
| 238. |
Rodelinda - Rodelinda: Atto Terzo: Coro: "Dopo la notte oscura" (Helen Watts, Maureen Forrester, Teresa Stich - Randall, Alexander Young, ORF Symphonieorchester, Martin Isepp, Hilde Rössel-Majdan / Hilde Rossel-Majdan, Brian Priestman, John Boyden) |
2:44 |
| 239. |
Roméo et Juliette, Op. 17 / Pt. 1: Introduction (London Symphony Orchestra And Chorus, Pierre Monteux) |
4:53 |
| 240. |
Roméo et Juliette, Op. 17 / Pt. 1: Prologue: "D'anciennes haines endormies" (London Symphony Chorus, Regina Resnik, London Symphony Orchestra And Chorus, Pierre Monteux) |
4:31 |
| 241. |
Roméo et Juliette, Op. 17 / Pt. 1: Strophes 1 & 2: "Premiers transports""Heureux enfants" (London Symphony Chorus, Regina Resnik, London Symphony Orchestra And Chorus, Pierre Monteux) |
5:56 |
| 242. |
Roméo et Juliette, Op. 17 / Pt. 1: Récitatif et Scherzetto: "Bientôt de Roméo" - "Mab! la messagère" - "Bientôt la mort est souveraine" (London Symphony Chorus, London Symphony Orchestra And Chorus, Andre Turp, Pierre Monteux) |
3:20 |
| 243. |
Roméo et Juliette, Op. 17 / Pt. 2: Roméo seul - Tristesse Grande fête chez Capulets (London Symphony Orchestra And Chorus, Pierre Monteux) |
13:03 |
| 244. |
Roméo et Juliette, Op. 17 / Pt. 3: "Ohé! Capulets! bonsoir, bonsoir!" (London Symphony Chorus, London Symphony Orchestra And Chorus, Pierre Monteux) |
18:42 |
| 245. |
Roméo et Juliette, Op. 17 / Pt. 4: Scherzo. La Reine Mab ou la Fée des songes (London Symphony Orchestra And Chorus, Pierre Monteux) |
8:55 |
| 246. |
Roméo et Juliette, Op. 17 / Pt. 5: Convoi funebre "Jetez des fleurs pour la vierge expirée" (London Symphony Chorus, London Symphony Orchestra And Chorus, Pierre Monteux) |
9:02 |
| 247. |
Roméo et Juliette, Op. 17 / Pt. 6: Romeo au tombeau des Capulets (Complete) (London Symphony Orchestra And Chorus, Pierre Monteux) |
7:40 |
| 248. |
Roméo et Juliette, Op. 17 / Pt. 7: Final. "Quoi! Roméo de retour! Roméo" (London Symphony Chorus, London Symphony Orchestra And Chorus, Pierre Monteux) |
5:08 |
| 249. |
Roméo et Juliette, Op. 17 / Pt. 7: Final. "Pauvres enfants que je pleure" (David Ward, London Symphony Chorus, London Symphony Orchestra And Chorus, Pierre Monteux) |
9:15 |
| 250. |
Roméo et Juliette, Op. 17 / Pt. 7: Final. "Jurez donc, par l'auguste symbole" (David Ward, London Symphony Chorus, London Symphony Orchestra And Chorus, Pierre Monteux) |
4:52 |
| 251. |
Symphonie fantastique, Op. 14: 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) (Orchester Der Wiener Staatsoper, Rene Leibowitz) |
15:25 |
| 252. |
Symphonie fantastique, Op. 14: 2. Un bal (Valse: Allegro non troppo) (Orchester Der Wiener Staatsoper, Rene Leibowitz) |
6:45 |
| 253. |
Symphonie fantastique, Op. 14: 3. Scène aux champs (Adagio) (Orchester Der Wiener Staatsoper, Rene Leibowitz) |
16:57 |
| 254. |
Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo) (Orchester Der Wiener Staatsoper, Rene Leibowitz) |
4:39 |
| 255. |
Symphonie fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) (Orchester Der Wiener Staatsoper, Rene Leibowitz) |
10:01 |
| 256. |
Linda di Chamounix, Act I: Ah! tardai troppo. O luce di quest'anima (Beverly Sills, Wiener Volksopernorchester, Jussi Jalas) |
6:28 |
| 257. |
I Capuleti e i Montecchi, Act I: Eccomi.Oh! quante volte (Beverly Sills, Wiener Volksopernorchester, Jussi Jalas) |
9:37 |
| 258. |
Lucia di Lammermoor, Act 1.: Ancor non giunse!.Regnava nel silenzio (Beverly Sills, Sonja Draksler, Wiener Volksopernorchester, Jussi Jalas) |
14:00 |
| 259. |
Roberto Devereux, Act 3: "E Sara in questi orribili momenti"."Vivi, ingrato" (Beverly Sills, Wiener Volksopernorchester, Jussi Jalas) |
9:40 |
| 260. |
La Sonnambula: "Care compagne. come per me sereno" (Beverly Sills, Wiener Volksopernorchester, Jussi Jalas) |
9:20 |
| 261. |
Rosmonda d'Inghilterra: "Ancor non giunse"."Perchè non ho del vento" (Beverly Sills, Wiener Volksopernorchester, Jussi Jalas) |
10:50 |
| 262. |
Manon, Act 3: Je marche sur tous les chemins.Oui, dans les bois (Ambrosian Opera Chorus, Beverly Sills, The Royal Philharmonic Orchestra, Sir Charles Mackerras) |
9:28 |
| 263. |
Mignon, Act II: "Oui! pour ce soir. Je suis Titania" (Ambrosian Opera Chorus, Beverly Sills, The Royal Philharmonic Orchestra, Sir Charles Mackerras) |
6:07 |
