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A New Brain (Original Cast Recording)

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Download links and information about A New Brain (Original Cast Recording) by Will Finn. This album was released in 1995 and it belongs to Theatre/Soundtrack genres. It contains 29 tracks with total duration of 01:18:21 minutes.

Artist: Will Finn
Release date: 1995
Genre: Theatre/Soundtrack
Tracks: 29
Duration: 01:18:21
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Tracks

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No. Title Length
1. Prologue: Frogs Have So Much Spring (The "Spring" Song) (featuring Malcolm Gets) 1:16
2. Prologue: Calamari (featuring Kristin Chenoweth, Chip Zien, Malcolm Gets, Liz Larsen) 3:40
3. Prologue: 911 Emergency / I Have So Many Songs (featuring Kristin Chenoweth, John Jellison, Mary Testa, Michael Mandell, Malcolm Gets, Liz Larsen, Keith Byron Kirk) 1:45
4. Heart and Music (featuring Kristin Chenoweth, Norm Lewis, John Jellison, Mary Testa, Michael Mandell, Malcolm Gets, Liz Larsen, Keith Byron Kirk, Penny Fuller) 3:27
5. Trouble In His Brain (featuring John Jellison, Penny Fuller) 0:49
6. Mother's Gonna Make Things Fine (featuring Malcolm Gets, Penny Fuller) 1:30
7. Sailing (From "a New Brain") (featuring Norm Lewis, Malcolm Gets) 3:06
8. Family History (featuring Kristin Chenoweth, Michael Mandell, Penny Fuller) 0:50
9. Gordo's Law of Genetics (featuring Kristin Chenoweth, John Jellison, Mary Testa, Michael Mandell, Liz Larsen, Keith Byron Kirk) 2:39
10. And They're Off (featuring Kristin Chenoweth, John Jellison, Mary Testa, Michael Mandell, Malcolm Gets, Liz Larsen, Keith Byron Kirk) 3:42
11. Just Go (featuring Norm Lewis, Malcolm Gets) 2:06
12. Poor Unsuccessful and Fat (featuring Chip Zien, Michael Mandell, Malcolm Gets) 2:29
13. Sitting Becalmed In the Lee of Cuttyhunk (featuring Kristin Chenoweth, Norm Lewis, John Jellison, Mary Testa, Michael Mandell, Malcolm Gets, Liz Larsen, Keith Byron Kirk, Penny Fuller) 3:24
14. An Invitation to Sleep In My Arms (featuring Norm Lewis, Malcolm Gets, Liz Larsen, Penny Fuller) 4:29
15. Change (featuring Mary Testa) 2:54
16. Yes (featuring Kristin Chenoweth, Chip Zien, John Jellison, Malcolm Gets, Liz Larsen, Keith Byron Kirk) 3:17
17. In the Middle of the Room (featuring Malcolm Gets, Penny Fuller) 2:01
18. Throw It Out (featuring Penny Fuller) 3:17
19. A Really Lousy Day In the Universe (featuring Norm Lewis, Mary Testa) 3:30
20. Brain Dead (featuring Norm Lewis, Malcolm Gets) 2:40
21. Whenever I Dream (featuring Malcolm Gets, Liz Larsen) 1:40
22. Eating Myself Up Alive (featuring Kristin Chenoweth, John Jellison, Mary Testa, Michael Mandell, Keith Byron Kirk) 2:17
23. The Music Still Plays On (featuring Penny Fuller) 4:49
24. Don't Give In (featuring Chip Zien, Norm Lewis, Malcolm Gets, Liz Larsen, Penny Fuller) 3:40
25. You Boys Are Gonna Get Me In Such Trouble / Sailing (Reprise) (featuring Norm Lewis, Michael Mandell, Malcolm Gets) 2:45
26. The Homeless Lady's Revenge (featuring Norm Lewis, Mary Testa, Malcolm Gets) 3:35
27. Time (featuring Norm Lewis, Malcolm Gets) 1:28
28. Time and Music (featuring Malcolm Gets, Keith Byron Kirk) 1:37
29. I Feel So Much Spring (featuring Mary Testa, Malcolm Gets, Keith Byron Kirk) 3:39

Details

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The Off-Broadway musical A New Brain tells the story of a struggling songwriter who suffers a medical crisis when something goes wrong with his brain and he is forced to undergo surgery. The show follows his experiences in the hospital and the ways that his friends, relatives, and business associates deal with the situation. Composer/lyricist/co-librettist William Finn himself suffered a similar problem; as annotator André Bishop writes, "Everybody knows by now that Bill Finn was diagnosed with an inoperable brain tumor, almost died, and then didn't." Everybody (in the musical theater, anyway) also knows that Finn is the celebrated composer of the Tony Award-winning Falsettos, a highly original show that, among other things, touched on medical matters in lively, unexpected ways. However autobiographical A New Brain may be, it is also a worthy follow-up to Falsettos, full of pop, rock, and funk tunes played primarily on synthesizers with lyrics that trace a group of funny, touching characters in ways that comment on contemporary life. Bishop accurately points out that Finn simultaneously occupies a central place in current musical theater and a place "on the extreme sidelines, " because he is recognized as a major talent, but is also uncompromisingly devoted to writing "idiosyncratic, highly personal shows." While, like Falsettos, A New Brain goes well beyond its nominal subject matter and is enjoyable purely for its music and wit, it nevertheless is idiosyncratic and highly personal, and listeners may find the juxtaposition of catchy songs and medical problems disconcerting. Finn is interested in getting his audiences to tap their feet, but he doesn't want them to forget their troubles. A New Brain is a less substantial work than Falsettos, but it is another highly accomplished effort from a challenging artist.