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Blame It On the Blues

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Download links and information about Blame It On the Blues by Willie Headen. This album was released in 2006 and it belongs to Blues genres. It contains 28 tracks with total duration of 01:12:09 minutes.

Artist: Willie Headen
Release date: 2006
Genre: Blues
Tracks: 28
Duration: 01:12:09
Buy on iTunes $9.99
Buy on Songswave €2.03

Tracks

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No. Title Length
1. When I Am Gone (featuring Dootsie Williams) 2:30
2. Stop Drinking 2:35
3. I Caught You Tippin' In 3:00
4. Cool Cat 2:45
5. I Wanna Know (1956 Version) (featuring The Five Birds) 1:51
6. The Skinny Woman Story (featuring The Five Birds) 2:28
7. Blame It On the Blues (Alt Version) 2:19
8. Everybody Has a Fool (Alt Version) 2:19
9. I Woke Up Screaming 2:55
10. Peace of Mind 2:33
11. I'm a Real Fine Daddy 2:42
12. Blame It On the Blues 2:18
13. Sunset & Vine 2:26
14. I Love You Bobby Sox 2:49
15. You Can Be Replaced 2:32
16. Fun On Saturday Night aka Everything's All Right 2:24
17. Back Home Again (featuring The Five Birds) 2:24
18. Let Me Cry (featuring The Five Birds) 2:52
19. I Wanna Know (featuring The Five Birds) 2:01
20. Peace of Mind (Alt Version) 2:36
21. Turn the Hi-Fi Down 2:21
22. Everybody Has a Fool 3:04
23. You Can't Fool the People 2:23
24. Down With the Blues 2:18
25. The Blues 2:43
26. She Loves Another 3:04
27. The Skinny Woman Story (Alt Version) (featuring The Five Birds) 2:34
28. You Can Be Replaced (Alt Version) 3:23

Details

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Dootone and its affiliated labels were most known for recording doo wop groups, but it also made quite a few records with Willie Headen, who usually sang in a much bluesier small combo R&B style. A lot of the tracks from his mid- to late-'50s singles are on this 28-track compilation, which also has songs that appeared on his 1960 Blame It on the Blues LP and a few outtakes and alternate takes. Headen was something of a journeyman singer, but as journeymen go, he was near the top of that niche, and this is a commendably consistent collection of '50s R&B, though not one that marks him as an unfairly neglected or underrated performer. Writing much of his material himself, Headen had a pleasingly smooth, slightly-higher-than-average-register vocal delivery. He handled both up-tempo and slower-shufflin', piano-grounded blues/R&B crossover music with aplomb, and sometimes let his gospel roots show more than most such discs by singers of the time did. Fans of the early Charles Brown-influenced recordings of Ray Charles, for instance, will likely enjoy this, though it's not unduly imitative of either Brown or Charles, and in a slightly more updated style than Charles' early work.