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The Sephardic Experience, Vol. 1: Thorns of Fire

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Download links and information about The Sephardic Experience, Vol. 1: Thorns of Fire by Winsome Evans. This album was released in 1998 and it belongs to World Music genres. It contains 13 tracks with total duration of 57:52 minutes.

Artist: Winsome Evans
Release date: 1998
Genre: World Music
Tracks: 13
Duration: 57:52
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Stelbishte Oro (Macedonia) (featuring Renaissance Players) 3:09
2. Por Alli Paso un Cavallero (Andalusia) (featuring Renaissance Players) 4:30
3. Como la Rosa (Andalusia) (featuring Renaissance Players) 4:48
4. Yo M’enamori D’un Aire (Andalusia) (featuring Renaissance Players) 4:52
5. La Rosa Enflorece (Balkans / Rhodes) (featuring Renaissance Players) 3:53
6. Slušaj Kaj Šumaj Šumite Bukite - Tri Pati (Macedonia / Bulgaria) (featuring Renaissance Players) 4:24
7. Noches Buenas (Orient) (featuring Renaissance Players) 3:24
8. Puncha, Puncha la Rosa Huele (Balkans) (featuring Renaissance Players) 5:47
9. Here Is a Poem - Return, O Shulammite (featuring Renaissance Players, Moses Ibn Ezra) 4:40
10. Morena Me Llaman (Balkans) (featuring Renaissance Players) 4:47
11. Staro Oro (Macedonia) (featuring Renaissance Players) 3:46
12. Ah, Signora Novia (Bulgaria) (featuring Renaissance Players) 3:09
13. La Madre de la Novia (Tetuan) (featuring Renaissance Players) 6:43

Details

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Initiating a promising series into the Renaissance Players' catalog of 2500 collected, arranged, or original pieces is this volume of Spanish-Jewish folk material. The longest standing early music group, the Renaissance Players contain a peerless level of talent and ability allowing them to reproduce folk styles on period instruments. Presented here are over 20 instruments employed by the nine-piece group in creating an airy, vivacious sound. The collection here is of instrumentals and folk songs. The Sephardic has a traditionally mandatory inclusion of coloratura (vocal ornamentation), which means each sung phrase is decorated with clever musical turns about the melody. In addition to this technical intricacy, the music here is infused with Arabic feeling. The result is an exotic body of traditional material. With themes about the thorny rose of love, there is a new dance in the Macedonian style suitable for a wedding fete and a tender soprano and harp duet on the dubious magic of love at first sight under a coloring moon. More traditional melodies capture strident folk whistles, bright over rapid pulsations of sharp ethnic percussion. A very poignant and tender song is "Noches Bueanas." This pairing of soprano voice and bouzouki artfully captures the pain of a broken heart. In another unforgettable ode to lost love ("Punhca, Puncha la Rosa Huele"), the perfume of the flower proves cloying after the heart is rent. Guitar, harp, and the taunting knock of castanets backs the soprano here. Successfully capturing the variances of human passion through the varied and manifold music of the Spanish Jews makes The Sephardic Experience, Vol. 1 a richly rewarding early music collection. The thick, glossy booklet includes historical and musicological notes along with notes and translations to each track.