The Wind That Blows the Robot's Arms
Download links and information about The Wind That Blows the Robot's Arms by Yea Big. This album was released in 2006 and it belongs to Ambient, Electronica, Hip Hop/R&B, Rap, Jazz genres. It contains 25 tracks with total duration of 49:49 minutes.
Artist: | Yea Big |
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Release date: | 2006 |
Genre: | Ambient, Electronica, Hip Hop/R&B, Rap, Jazz |
Tracks: | 25 |
Duration: | 49:49 |
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Tracks
[Edit]No. | Title | Length |
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1. | The Wind That Blows the Robot's Arms | 0:21 |
2. | Please Die, and Leave Me Alone | 2:40 |
3. | Or Just Leave Me Alone | 0:12 |
4. | Exaggeration Run Amuck | 2:02 |
5. | My Principles Far Outweigh My Common Sense | 1:19 |
6. | Look for and Remove Any Foreign Objects | 0:08 |
7. | Manufacturing Morals | 2:15 |
8. | Touch You or Touch Them | 2:34 |
9. | Nice People Are Those Who Have Nasty Minds, Pt. 1 | 3:33 |
10. | The Same Stupid S**t, Only Faster | 0:25 |
11. | Nice People Are Those Who Have Nasty Minds, Pt. 2 | 0:48 |
12. | First Meal | 1:56 |
13. | But We Will Try Nonetheless | 2:34 |
14. | Euphoric State of Panic | 1:20 |
15. | Neurosis of the Giver | 3:31 |
16. | Floccinaucinihilipilification | 2:36 |
17. | It Will Be Tasteful | 3:52 |
18. | Elegant as F**k 1 | 2:40 |
19. | Elegant as F**k 2 | 1:48 |
20. | Elegant as F**k 3 | 2:42 |
21. | Increaseth Wisdom Increaseth Sorrow | 5:19 |
22. | Perverse Display of Friendship | 1:57 |
23. | Pleasure in Contemplating Wailing and Gnashing of Teeth | 2:10 |
24. | Bruce, You Have to Recognize | 0:41 |
25. | You Scared Me into Loving You | 0:26 |
Details
[Edit]An experimental solo project by producer/mixer Stefen Robinson, Yea Big's The Wind That Blows the Robot's Arms is chopped-up micro-glitch electronica, stringing together brief bursts of keyboards, beats, and found-sound samples edited within an inch of their lives, occasionally topped with vocal parts that sound like they were recorded with Robinson's finger on the fast-forward button. Though some of the briefer tracks are basically full-on electronic noise, Robinson cleverly underpins most of the album with just enough of a backbeat to keep the listener pleasantly off-kilter: that the album is almost, but not quite, danceable is a big part of its maddening charm, especially on the nearly normal "Floccinaucinihilipilification." Robinson also manages a surprising amount of textural variety, even introducing a heavily processed acoustic guitar sound in the excellently titled "Nice People Are Those Who Have Nasty Minds." For glitch and noise fans only, but that audience should love this.