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Hourly Daily

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Download links and information about Hourly Daily by You Am I. This album was released in 1996 and it belongs to Rock, Grunge, Indie Rock, World Music, Pop, Alternative, Psychedelic genres. It contains 15 tracks with total duration of 52:04 minutes.

Artist: You Am I
Release date: 1996
Genre: Rock, Grunge, Indie Rock, World Music, Pop, Alternative, Psychedelic
Tracks: 15
Duration: 52:04
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Tracks

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No. Title Length
1. Hourly Daily 4:22
2. Good Mornin' 4:12
3. Mr Milk 3:16
4. Soldiers 2:31
5. Tuesday 3:15
6. If We Can't Get It Together 2:33
7. Flag Fall $1.80 2:55
8. Wally Raffles 3:18
9. Heavy Comfort 2:18
10. Dead Letter Chorus 2:35
11. Baby Clothes 2:20
12. Someone Else's Home 2:14
13. Please Don't Ask Me to Smile 3:18
14. Moon Shines On Trubble 3:34
15. Who Takes Who Home? 9:23

Details

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Darlings of the press and near icons in their Australian homeland, You Am I never broke through in the U.S., and this ambitious Warner Bros./Sire release did little to ingratiate the group to an America fascinated with the packaging of youth culture. Commercial issues aside, any fan of Cheap Trick, the Replacements, and a few older stars of the British Invasion will revel in Hourly, Daily, a conceptual piece that is obsessed with the past but without retro trappings. Singer/guitarist Tim Rogers laces together complex ideas with a narrative that transforms the pain of growing up artistic and male in Australia into a weird rock & roll existentialism. Examinations of socially distorted animal fright (like "Please Don't Ask Me to Smile") are told during lonely bus rides and alcoholic meditations. Impressively, the coded messages are never overbearing, as many songs (the opening title track, for instance) are immediately attractive pop numbers that can survive by their melodies. After repeated listening, the lyrics then blur into a naked prose that's rich and almost distracting. When the narrator lifts his eyes from the cracks in the pavement ("Wally Raffles," "Baby Clothes"), the pop surprise is almost euphoric. The rest of the time, he's just a boy trying to be free of himself, hopeless about his prospects. It's all done with such grand style that listeners will never worry about the antihero's proximity to the edge. That is, as long as he can sing.