Tales Of High Fever
Download links and information about Tales Of High Fever by Zuco 103. This album was released in 2002 and it belongs to Electronica, Jazz, Dancefloor, World Music, Dance Pop, Bop genres. It contains 14 tracks with total duration of 01:01:11 minutes.
Artist: | Zuco 103 |
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Release date: | 2002 |
Genre: | Electronica, Jazz, Dancefloor, World Music, Dance Pop, Bop |
Tracks: | 14 |
Duration: | 01:01:11 |
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Tracks
[Edit]No. | Title | Length |
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1. | Treasure | 4:53 |
2. | Peregrino | 4:32 |
3. | Get Urself 2GETHER | 5:07 |
4. | Brief Passions | 4:25 |
5. | Curso De Reclamação (Lição 1) | 5:19 |
6. | Bob | 0:20 |
7. | Voltando | 4:35 |
8. | Bebete Vambora | 4:07 |
9. | Tão Lonely | 6:06 |
10. | Sací | 5:37 |
11. | To Life | 4:11 |
12. | Brasil 2000 | 3:23 |
13. | Morro Elétrico | 4:47 |
14. | I Came, but ... | 3:49 |
Details
[Edit]This Brazilian trio's sophomore effort finds the band continuing its global dance project, blending Brazilian rhythms and Portuguese lyrics with elements of R&B, acid jazz, and breakbeat, delivering all of it with a counterintuitive combination of laid-back relaxation and infectious energy. It's hard to know where to focus your attention: Lilian Vieira's sweet voice or the richly textured funk grooves laid down behind her by keyboardist/programmer Stefan Schmid and drummer/programmer Stefan Kruger. There are great horn charts on several tracks, notably "Peregrino," and the bossa nova-flavored guitar that appears at various points throughout the album guarantees that everything will have at least a faintly Brazilian tint. "Curso de Reclamação — Lição 1" opens with a bluesy electric guitar lick, but when Vieira's voice comes in it is multi-tracked in close harmony, an effect that evokes some of Zap Mama's more interesting experiments. "Sací" utilizes traditional drum sounds, flamenco handclaps, and a reggae-influenced bassline to create a kaleidoscopically complex rhythmic groove. This is one of those rare albums that draws you in on first listen, but continues to reward your attention even after many more.