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Cootie Williams

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Wikimp3 information about the music of Cootie Williams. On our website we have 38 albums and 70 collections of artist Cootie Williams. You can find useful information and download songs of this artist. We also know that Cootie Williams represents Jazz genres.

Biography

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Cootie Williams, one of the finest trumpeters of the 1930s, expanded upon the role originally formed by Bubber Miley with Duke Ellington's Orchestra. Renowned for his work with the plunger mute, Cootie was also a fine soloist when playing open. Starting as a teenager, Cootie Williams played with a variety of local bands in the South, coming to New York with Alonzo Ross' Syncopators. He played for a short time with the orchestras of Chick Webb and Fletcher Henderson (recording with the latter), before joining Duke Ellington as Miley's replacement in February 1929. He was a fixture with Duke's band during the next 11 years, not only recording many classics with Ellington (including "Echoes of Harlem" and "Concerto for Cootie"), but leading some of his own sessions and recording with Lionel Hampton, Teddy Wilson, and Billie Holiday, in addition to being a guest at Benny Goodman's Carnegie Hall Concert in 1938. His decision to leave Ellington and join Goodman's orchestra in 1940 was considered a major event in the jazz world. During his year with B.G., Williams was well-featured with both the big band and Goodman's sextet. The following year he became a bandleader, heading his own orchestra which, at times in the 1940s, featured such up-and-coming players as pianist Bud Powell, tenorman Eddie "Lockjaw" Davis, altoist/singer Eddie "Cleanhead" Vinson, and even Charlie Parker.

Although he had a hit (thanks to Willis Jackson's honking tenor) on "Gator," by 1948 Cootie had cut his group back to a sextet. Playing R&B-oriented music, he worked steadily at the Savoy, but by the 1950s was drifting into obscurity. However, in 1962, after a 22-year absence, Cootie Williams rejoined Duke Ellington, staying even beyond Duke's death in 1974 as a featured soloist. By then his solos were much simpler and more primitive than earlier (gone was the Louis Armstrong-inspired bravado), but Cootie remained the master with the plunger mute. He was semi-retired during his final decade, taking a final solo in 1978 on a Teresa Brewer record, and posthumously serving as an inspiration for Wynton Marsalis' own plunger playing.

Title: Cherry Red Blues

Artist: Cootie Williams

Genre: Pop

Title: Soundtrack

Artist: Cootie Williams

Genre: Jazz

Title: Sweet Lorraine

Artist: Cootie Williams

Genre: Jazz

Title: Echoes Of Harlem

Artist: Cootie Williams

Genre: Jazz, Pop

Title: Soothe Me

Artist: Cootie Williams

Genre: Jazz

Title: Where Or When

Artist: Cootie Williams

Genre: Jazz

Collections

Title: Mad Men

Genre: Jazz

Title: Hot Trumpets

Genre: Jazz

Title: Genuine Be-Bop!

Genre: Jazz, Bop

Title: Classic Jazz Party

Genre: Jazz

Title: Reefer Madness

Genre:

Title: Jazz Icons

Genre: Jazz

Featuring albums

Title: Jubilee Stomp

Artist: Duke Ellington

Genre: Jazz

Title: Jazz Caravan

Artist: Duke Ellington

Genre: Jazz

Title: Anthology

Artist: Grant Green

Genre: Jazz, Soul Jazz

Title: Vocal (CD1)

Artist: Duke Ellington

Genre: Jazz, Vocal Jazz

Title: Vocal (CD2)

Artist: Duke Ellington

Genre: Jazz, Vocal Jazz

Title: So Icy Boyz

Artist: Gucci Mane

Genre: Hip Hop/R&B

Genres