Demdike Stare

Demdike Stare were founded in 2009 in Manchester, England by two well-known characters from that city's music scene. Miles Whittaker, half of the respected dub techno duo Pendle Coven, has also recorded under the monikers MLZ and Daughter of the Industrial Revolution. Sean Canty is a renowned vinyl obsessive who worked at the label Finders Keepers and could often be found digging in the crates of local record shops for rare wax nuggets. His collection of obscure '60s funk and soul records formed the basis for DJ Woody's A Country Practice mixtape CD, on which he was credited under the name Sean Vinylment.

In Demdike Stare, Canty's love for ultra-rare Middle Eastern soundtrack albums and icy Scandinavian drone music came together with Whittaker's decade and a half of production expertise. The project's name is an extension of Whittaker's main act, Pendle Coven, which is named for the infamous 1612 witch trials centered around Pendle Hill in Lancashire. Elizabeth Southerns, better known as Demdike, was one of the central defendants in the case; she herself died while awaiting trial for witchcraft, but ten people, including several members of her family, were eventually hanged. It follows that the duo's music should be suitably creepy, and it is; Demdike Stare's haunting soundscapes, rooted in dub and the stark minimalism of techno, are infused with exotic rhythms and samples, and at times have a disturbingly otherworldly quality, as though transmitted from the other side.

Their 2009 debut album, Symbiosis, was originally released as two separate ultra-limited vinyl LPs (300 copies each), and was fittingly first issued in CD format less than a week before Halloween. The following year, the duo produced a trio of limited-edition vinyl releases: the two-track Forest of Evil, Liberation Through Hearing, and Voices of Dust. They were compiled in early 2011 for a triple-CD set, Tryptych, which added roughly 40 minutes of new material. In December 2011, the duo started the limited vinyl Elemental series with parts one and two packaged in a gatefold sleeve with free spaces intended for storage of parts three and four. Parts three and four arrived the following month, while a double-CD set, issued that March, compiled the vinyl releases (though four of the tracks appeared in alternate-mix form).