John Lee Hooker
Wikimp3 information about the music of John Lee Hooker. On our website we have 70 albums and 70 collections of artist John Lee Hooker. You can find useful information and download songs of this artist. We also know that John Lee Hooker represents Blues genres.
Biography
[Edit]He was beloved worldwide as the king of the endless boogie, a genuine blues superstar whose droning, hypnotic one-chord grooves were at once both ultra-primitive and timeless. But John Lee Hooker recorded in a great many more styles than that over a career that stretched across more than half a century.
"The Hook" was a Mississippi native who became the top gent on the Detroit blues circuit in the years following World War II. The seeds for his eerily mournful guitar sound were planted by his stepfather, Will Moore, while Hooker was in his teens. Hooker had been singing spirituals before that, but the blues took hold and simply wouldn't let go. Overnight visitors left their mark on the youth, too: legends like Blind Lemon Jefferson, Charley Patton, and Blind Blake, who all knew Moore.
Hooker heard Memphis calling while he was still in his teens, but he couldn't gain much of a foothold there. So he relocated to Cincinnati for a seven-year stretch before making the big move to the Motor City in 1943. Jobs were plentiful, but Hooker drifted away from day gigs in favor of playing his unique free-form brand of blues. A burgeoning club scene along Hastings Street didn't hurt his chances any.
In 1948, the aspiring bluesman hooked up with entrepreneur Bernie Besman, who helped him hammer out his solo debut sides, "Sally Mae" and its seminal flip, "Boogie Chillen." This was blues as primitive as anything then on the market; Hooker's dark, ruminative vocals were backed only by his own ringing, heavily amplified guitar and insistently pounding foot. Their efforts were quickly rewarded. Los Angeles-based Modern Records issued the sides and "Boogie Chillen" — a colorful, unique travelogue of Detroit's blues scene — made an improbable jaunt to the very peak of the R&B charts.
Modern released several more major hits by "the Boogie Man" after that: "Hobo Blues" and its raw-as-an-open wound flip, "Hoogie Boogie"; "Crawling King Snake Blues" (all three 1949 smashes); and the unusual 1951 chart-topper "I'm in the Mood," where Hooker overdubbed his voice three times in a crude early attempt at multi-tracking.
But Hooker never, ever let something as meaningless as a contract stop him for making recordings for other labels. His early catalog is stretched across a road map of diskeries so complex that it's nearly impossible to fully comprehend (a vast array of recording aliases don't make things any easier).
Along with Modern, Hooker recorded for King (as the geographically challenged Texas Slim), Regent (as Delta John, a far more accurate handle), Savoy (as the wonderfully surreal Birmingham Sam & His Magic Guitar), Danceland (as the downright delicious Little Pork Chops), Staff (as Johnny Williams), Sensation (for whom he scored a national hit in 1950 with "Huckle Up, Baby"), Gotham, Regal, Swing Time, Federal, Gone (as John Lee Booker), Chess, Acorn (as the Boogie Man), Chance, DeLuxe (as Johnny Lee), JVB, Chart, and Specialty; before finally settling down at Vee-Jay in 1955 under his own name. Hooker became the point man for the growing Detroit blues scene during this incredibly prolific period, recruiting guitarist Eddie Kirkland as his frequent duet partner while still recording for Modern.
Once tied in with Vee-Jay, the rough-and-tumble sound of Hooker's solo and duet waxings was adapted to a band format. Hooker had recorded with various combos along the way before, but never with sidemen as versatile and sympathetic as guitarist Eddie Taylor and harpist Jimmy Reed, who backed him at his initial Vee-Jay date that produced "Time Is Marching" and the superfluous sequel "Mambo Chillun."
Taylor stuck around for a 1956 session that elicited two genuine Hooker classics, "Baby Lee" and "Dimples," and he was still deftly anchoring the rhythm section (Hooker's sense of timing was his and his alone, demanding big-eared sidemen) when the Boogie Man finally made it back to the R&B charts in 1958 with "I Love You Honey."
Vee-Jay presented Hooker in quite an array of settings during the early '60s. His grinding, tough blues "No Shoes" proved a surprisingly sizable hit in 1960, while the storming "Boom Boom," his top seller for the firm in 1962 (it even cracked the pop airwaves), was an infectious R&B dance number benefiting from the reported presence of some of Motown's house musicians. But there were also acoustic outings aimed squarely at the blossoming folk-blues crowd, as well as some attempts at up-to-date R&B that featured highly intrusive female background vocals (allegedly by the Vandellas) and utterly unyielding structures that hemmed Hooker in unmercifully.
British blues bands such as the Animals and Yardbirds idolized Hooker during the early '60s; Eric Burdon's boys cut a credible 1964 cover of "Boom Boom" that outsold Hooker's original on the American pop charts. Hooker visited Europe in 1962 under the auspices of the first American Folk Blues Festival, leaving behind the popular waxings "Let's Make It" and "Shake It Baby" for foreign consumption.
Back home, Hooker cranked out gems for Vee-Jay through 1964 ("Big Legs, Tight Skirt," one of his last offerings on the logo, was also one of his best), before undergoing another extended round of label-hopping (except this time, he was waxing whole LPs instead of scattered 78s). Verve-Folkways, Impulse, Chess, and BluesWay all enticed him into recording for them in 1965-1966 alone! His reputation among hip rock cognoscenti in the States and abroad was growing exponentially, especially after he teamed up with blues-rockers Canned Heat for the massively selling album Hooker 'n' Heat in 1970.
Eventually, though, the endless boogie formula grew incredibly stagnant. Much of Hooker's 1970s output found him laying back while plodding rock-rooted rhythm sections assumed much of the work load. A cameo in the 1980 movie The Blues Brothers was welcome, if far too short.
But Hooker wasn't through; not by a long shot. With the expert help of slide guitarist extraordinaire/producer Roy Rogers, the Hook waxed The Healer, an album that marked the first of his guest star-loaded albums (Carlos Santana, Bonnie Raitt, and Robert Cray were among the luminaries to cameo on the disc, which picked up a Grammy).
Major labels were just beginning to take notice of the growing demand for blues records, and Pointblank snapped Hooker up, releasing Mr. Lucky (this time teaming Hooker with everyone from Albert Collins and John Hammond to Van Morrison and Keith Richards). Once again, Hooker was resting on his laurels by allowing his guests to wrest much of the spotlight away from him on his own album, but by then, he'd earned it. Another Pointblank set, Boom Boom, soon followed.
Happily, Hooker enjoyed the good life throughout the '90s. He spent much of his time in semi-retirement, splitting his relaxation time between several houses acquired up and down the California coast. When the right offer came along, though, he took it, including an amusing TV commercial for Pepsi. He also kept recording, releasing such star-studded efforts as 1995's Chill Out and 1997's Don't Look Back. All this helped him retain his status as a living legend, and he remained an American musical icon; and his stature wasn't diminished upon his death from natural causes on June 21, 2001.
Title: Hooker 'N' Heat - The Best Of... PLus
Artist: John Lee Hooker, Canned Heat
Title: Don't Turn Me From Your Door: John Lee Hooker Sings His Blues
Artist: John Lee Hooker
Genre: Blues
Collections
Title: The Best Of American Folk & Blues (CD1)
Genre: Blues, World Music, Folk
Title: The Best Of American Folk & Blues (CD2)
Genre: Blues, World Music, Country, Folk
Title: My Favourite Hits Of 1963 (CD1)
Genre: Hip Hop/R&B, Soul, Blues, Jazz, Rock, Rock & Roll, World Music, Country, Pop, Pop Rock, Funk, Acoustic
Title: My Favourite Hits Of 1963 (CD3)
Genre: Soul, Blues, Jazz, Rock, Rock & Roll, World Music, Country, Pop, Pop Rock, Funk, Acoustic
Title: Summer Hits 100 Empire (CD2)
Genre: Tech House, Club/Dance, Funk
Title: Wilko Johnson Presents: The First Time I Met The Blues
Genre: Blues
Title: Essential Christmas Songs (CD1)
Genre: Pop
Title: Five Star Guitar Blues
Genre: Blues
Title: Down Home Blues: Detroit Special (CD1)
Genre: Hip Hop/R&B, Blues, Pop
Title: Down Home Blues: Detroit Special (CD2)
Genre: Hip Hop/R&B, Blues, Pop
Title: Down Home Blues: Detroit Special (CD3)
Genre: Hip Hop/R&B, Blues, Pop
Title: Road Blues: Soul Collection (CD1)
Genre: Blues
Title: Road Blues: Soul Collection (CD2)
Genre: Blues
Title: Newport Folk Festival 1989 (Live Radio Broadcast)
Genre: Blues, Folk Rock, World Music, Country, Folk
Title: RandB Masters Vol. 3
Genre: Hip Hop/R&B
Title: My Favourite Hits Of 1965 (CD2)
Genre: Hip Hop/R&B, Soul, Blues, Rock, Blues Rock, Rock & Roll, Pop, Pop Rock, Funk, Acoustic
Title: The Night Train Route 1
Genre: Hip Hop/R&B, Soul, Blues
Title: 100 Tubes Blues (CD2)
Genre: Blues
Title: 100 Tubes Blues (CD3)
Genre: Blues
Title: Infatuation Blues (CD3)
Genre: Blues Rock
Title: The Best Christmas Album 2017
Genre: Pop
Title: Ministry Of Sound: Anthems Mod Ska & Northern Soul (CD1)
Genre: Hip Hop/R&B, Soul, Blues, Reggae, Ska
Title: Anthems Mod Ska And Northern Soul - Ministry Of Sound (CD1)
Genre: Hip Hop/R&B, Soul, Reggae, Ska
Title: Born Bad, 40 Tales Of Bad Boys And Dirty Deeds (CD1)
Genre: Hip Hop/R&B, Blues, Country
Title: Born Bad, 40 Tales Of Bad Boys And Dirty Deeds (CD2)
Genre: Hip Hop/R&B, Blues, Country
Title: Talking On The Telephone Vol. 1
Genre: Hip Hop/R&B, Blues
Title: Blue Folk 2018
Genre: Blues, World Music, Folk
Title: The Best Of Blues And Soul: From Urban Blues To Ghetto Soul
Genre: Hip Hop/R&B, Soul, Disco, Funk
Title: THIS Is The 60s (X5 Music Group) (CD1)
Genre: Hip Hop/R&B, Jazz, Rock, World Music, Country, Folk, Easy Listening
Title: Whiskey, Women & Loaded Dice (CD2)
Genre: Country, Western Swing
Title: Driven By The 60s (CD3)
Genre: Hip Hop/R&B, Rock, Punk Rock, Pop, Funk
Title: Driven By The 60s (Box Set) (CD3)
Genre: Hip Hop/R&B, Soul, Rock & Roll, Rockabilly, Disco, Acoustic
Title: Mo Better Blues Blues Album 2019
Genre: Blues
Title: Boom Boom- Blues Classics 2019
Genre: Blues
Title: Blues 45’s
Genre: Blues
Title: The History Of Rhythm And Blues 1957-1962 (CD1)
Genre: Hip Hop/R&B, Soul, Blues, Jazz
Title: Stand By Me: Ultimate Golden Anthems (CD1)
Genre: Soul, Jazz, World Music, Pop, Folk
Title: Mojo Working: Blues Guitar Greats
Genre: Blues, Blues Rock
Title: The Ultimate Blues Vol. 1
Genre: Blues
Title: Christmas Breakfast Playlist Vol. 3
Genre: Blues
Title: The Royals- Love Classic Blues 2019
Genre: Blues
Title: Who Do You Love- Fundamental Blues Music
Genre: Blues
Title: Modern Blues Masters
Genre: Blues
Title: Play Me Some Blues
Genre: Blues
Title: Takin' My Time: Southern Blues Legends
Genre: Blues
Title: Drive With Blues
Genre: Blues
Title: 100 Hits The Blues (CD2)
Genre: Blues
Title: Where The Blues Live 2020 (CD1)
Genre: Blues
Title: Ultimate Blues, Vol. 1
Genre: Blues
Title: Instrumentals Soul-Style Volume 2 (CD1)
Genre: Soul
Featuring albums
Title: The Definitive Blues Collection, Vol. 4
Artist: Various Blues Artists
Genre: Hip Hop/R&B, Soul, Blues
Title: Kiss the Girls (Music from the Motion Picture Soundtrack)
Artist: Mark Isham
Genre: Theatre/Soundtrack
Title: The Complete Blues Anthology (Doxy Collection, Remastered)
Artist: Various Artists
Genre: Blues
Title: The Best Of Blues Guitar 20th Century Masters The Millennium Collection
Artist: Various Artists
Genre: Blues
Title: Richard Dorfmeister - Private Collection
Artist: Various Artists
Genre: Electronica, Jazz, Free Jazz, Dancefloor
Title: The Smoky Bar Blues Club, Pt. 2 (Blues from a Smoky Bar)
Artist: Various Artists
Genre: Blues
Title: The Greatest Rock N Roll, Vol. 2 (Remastered)
Artist: Various Artists
Genre: Rock, Rock & Roll
Title: Burnt (Deluxe Edition) [Original Motion Picture Soundtrack]
Artist: Various Artists
Genre: Theatre/Soundtrack